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Here are all the posts in our Forum/Blog on the topic of Fashion: colour...

Emma    Friday 15 April 2016 at 15:17

 Post #470 



 
Subject: Our Spring Range

I love this time of year-the birds twittering (there are sky larks over the field where I walk my dog every morning), the little baby rabbits scampering about (whilst I try to distract my dog's killer instincts), the trees budding with blossom....all our lovely clothes in the shop. Yes, it is truly a joy to be alive!

This year the colours are pink, cobalt blue, denim blue, lilac, greens (of all hues!), black and white, and silver. The silhouette is soft, the fabrics light and natural. Never have we had so much cotton and silk, and never have there been such a choice of lightweight fabrics. Bamboo is making its mark, as are sports fabrics that are as cool as cucumbers!

Everyone on our mailing list is entitled to have a £20 gift voucher subtracted from their purchase of clothing (not accessories, and not in conjunction with any other offer), so it's a very good time to come into our store!

For those who cannot travel into our store(or simply have other things to do), just a reminder that we are now selling online! Just click on the large pink square on the homepage of this website, or go into our 'Mail Order' page to visit our Shoptiques shop. It's always changing, so it's worth looking at it every now and again.

 

 Wonderful selection of clothes    Saturday 23 April 2016 at 13:02

 
Hi, I really enjoyed my visit to the shop yesterday and Kin and Anna were so helpful as always picking out items for me to try on. I am so pleased with my Tomo and Q'Neel dresses and KJ Brand cut offs, I am all ready for Summer just need the sun to shine now! Kim

 

 Emma    Sunday 24 April 2016 at 14:34

 
Hi Kim,

Thank you so much for your post, & kind words! I was sorry to have missed you yesterday! I'm glad that you liked the collection, and came away with some finds.

My only one regret is that I think that you have missed the best of the waistcoats this season -you know how quick you have to be to snap them up......;)

 

Emma    Friday 06 March 2015 at 17:12

 Post #432 



 
Subject: New Images Spring/Summer 2015

Just a quick message to remind customers that the new images of our gorgeous Spring/Summer collection are now loaded on to our website.

As always, our images just scratch the surface of what is here in store. I really do recommend coming in to view the collection at the earliest opportunity - it's a sight to be seen!

This year the colours are jewel-emerald green, turquoise, lapis and amethyst, and the fabrics are eclectic. There is lace, leather, denim, silk, linens, lawns and lovely jerseys of all kinds. There are hand-painted materials, dip-dyes, raw edges... everything is about variety and creativity.

We hope to see you soon.

 

Kim P    Saturday 21 February 2015 at 17:18

 Post #431 



 
Subject: Beautiful Spring / Summer Clothes

 
After reading on the forum that new stock was arriving I rang the store yesterday and knew from the excitement in Kim's voice that the shop would be full of lovely new designs so decided to pay and visit and so pleased I did. The shop looked wonderful with splashes of vibrant colours, both colour block and patterned complimenting the classic designs.

I am delighted with the Tomo tunics in the waffle material, the sea foam green colour was beautiful and the black is a staple. The orange scarf purchased will go lovely with both. Kim was as usual the trouser queen and the Brand leggings she recommended are so comfortable and will get lots of wear.

I would have been so disappointed if I had left it and visited in in a couple of weeks to find my size out of stock in those Tomo tunics, I did not realise that for many styles you only have one in each size. I know you often post that new stock flies out but I saw it for myself today, it was lovely to see so many happy people leaving delighted with their purchases.

I hope to pop in again in a few weeks when more new arrivals will have appeared. Thank you again for the excellent service!

 

 Emma    Monday 23 February 2015 at 15:54

 
Hi Kim,

Thanks for your post, and lovely comments! It was lovely, as always, to see you on Saturday. You got some gorgeous things, and, sad to say, deprived other people of getting them.

The wicked truth is (as I have alluded to before in this blog) that we try every trick in the book to make our store more interesting, and create the need to buy our clothes. This means that on the one hand we try to buy as wide a variety of different styles (buying fashion in a 'wide but shallow way'-lots of styles, but low numbers of each). The by-product of this kind of buying is that when you see an item in store that you like, it's a good idea to snaffle it up straight away. It's likely to be the only one in that size, and once it's gone, will never be seen again.

I know this can be a bit of a nuisance to our customers, but it does mean a continual stream of different and varied clothes, and a healthy competition which (I am being really honest here!) is very good for business!

Some of our customers have asked us to phone them when the new collection comes in, and they dash in to get ahead of the rest of the field. Not a bad idea, and it's one that's open to everyone. All anyone has to do is phone 01273327240 and tell us what you are looking for. We will do the rest...

 

Emma    Saturday 23 August 2014 at 18:24

 Post #409 



 
Subject: New Season's Stock

Cobalt blue is a very big story, both this winter and next summer. We've already started to get our autumn/winter stock in, and we are seeing how popular this colour is proving.

Pictured right is the 'Scotty Dog' Anna Scholz dress (so called because, true to her whimsical nature, Anna has used silhouettes of Scotty dogs to create her exclusive print) £195, and far right is a gorgeous KJ Brand jumper at £129, both is this glowing, jewel colour....

 

 Sharon    Friday 29 August 2014 at 20:17

 
Hi Emma

I must have the Scotty Dog dress - is it the tunic or the space dress? I'm coming down next friday so I will definitely be looking for that.

Have you got any of the knitted skirts you mentioned yet? I have visions of a very cosy winter in one.

Hopefully see you Friday

 

 Emma    Friday 29 August 2014 at 22:30

 
Hi Sharon,

We've only had one knitted skirt in so far (it's still rather early in the season), but it's a real beauty. It's from Japanese-inspired German range, Tomo. It's long and straight, black, with a leather panel down the front. Absolutely gorgeous. There may be more here by the time you come in next week, because deliveries are arriving all the time now.

The Scotty dress is lovely, (it's the tunic: a lovely, simple shape, edged with pleather) but a word of warning: they are going extremely quickly. I think it's the colour blue that really attracts people. Virtually everything we have had delivered so far that is in this colour show every sign of selling through.

We really look forward to seeing you next week-

 

Emma    Friday 22 August 2014 at 15:31

 Post #408 



 
Subject: Bring on Summer 2015!

So, I hear you all ask, what are we to expect from the wonderful world of plus-size fashion next summer (officially referred to as Spring/Summer 2015)?

The huge story next year is black and white. This is a continuation of what we have been seeing for the past two or three seasons - and this coming winter, too. The look is really taking off now, and we are going to run the whole gamut of black-and-white looks next year.

There are the jazz-age floral prints, from ranges like Anna Scholz or Verpass (the latter flecked with elements of lime green), smudged-graphite-and-white - from all sorts of ranges, including the German label CPM, and crisp black-and-stone Mondrian-inspired blocks from Verpass and Elena Miro.

There are some fantastic textured blacks from Marina Rinaldi, and rippling summer knits from Tomo. Stripes and spots leap from every corner... from ranges like Samoon, Elena Miro, No Secret and others. Black and white animal prints growl and purr from Matt and Anna Scholz. I could go on and on.

It seems that every collection has some elements of black and white. There is something for everyone, and I do urge you to get into black and white (if you are not already). It is here to stay, and it's so versatile! It’s rare to find a fashion story that is so variable: there is the grungy, young and edgy end of the scale, but there is also the floral and pretty end. There's the sophisticated suited-and-booted workwear, and then again there are more architectural looks that make use of arty textured weaves and knits. And there is everything in-between.

Another huge fashion story is denim. At Anna Scholz we're seeing smooth, nineteen-seventies-inspired chambray (see right). Samoon offers sophisticated little stretch city-denim jackets. These contrast markedly with Brand’s take on the denim jacket, which is both casual and practical: the eternal jeans jacket. Matt takes the denim shirt and transforms it into an oversize tunic to wear over leggings. Exelle dyes oversize T-shirts into denim-inspired gorgeousness, and everywhere we see different fabrics - from jerseys to linens, indigo-dyed into the denim spectrum.

Indigo blue is such a kind colour. It suits almost everyone, and due to the ubiquity of jeans, now counts as a neutral - meaning that it will team with almost everything.

Elsewhere, the look book for Spring/Summer 2015 will include the colours turquoise (and all the colours either side of it - from cobalt to teal), orange (or coral), lime green and taupe. Fabrics will be crinkle linens, lots of knits with all sorts of different effects, silks printed to look hand-painted, digital jerseys, and textured weaves. We are also seeing more leather - both as jackets and as trims to knits.

The silhouette is still with the tunic dress over leggings, although slightly more outré trousers - with harem pants, sarong-trousers and super-wide strides edging in.

There is the introduction of more jumpsuits (don’t worry, I won’t be filling my store with these - although they will be making a guest appearance!), pencil skirts (long and stretchy gorgeousness), and long crinkly skirts. One of the main stories, silhouette-wise, is the neat fitted jacket. This is so versatile (it can be worn over a narrow little skirt, or teamed with a billowing dress underneath), and one such jacket can be used in dozens of different looks.

All in all, the look next summer is clean, simple, flattering and practical. It is stuffed with essential pieces that you will wonder how you ever lived without. And, if you make some wise choices, it will take your look forward for many seasons to come.

 

 Kim P    Friday 22 August 2014 at 18:28

 
Hi Emma

All sounds very exciting, some new names to me on your list of designers so look forward to seeing their creations next year.

Will you be getting any Tomo this Autumn/Winter?

I was sorry to miss the sale, didn't realise it was on!

My regards to all the Emma Plus ladies

PS I note a certain garment missing from your list of trends

 

 Emma    Saturday 23 August 2014 at 11:44

Hi Kim,

So sorry that you didn't know about the sale! We will have to make sure this doesn't happen again!

Yes, there are some new ranges on the horizon: it's very exciting, actually! I love the new collections, and am, as ever, looking forward to getting it all in (in 6 month's time!). I also loved this dress from Anna Scholz in a beautiful exclusive silk print (see right).

We've had some gorgeous Tomo jumpers in: they are so lovely that words fail to describe them! I would urge you to come in straight away!!!

It's a good idea to find us on Facebook and have a look at what we are showing there.

On a sad note, I scoured the collections for waistcoats, and am so sorry to say that it just wasn't a look for next summer. You and Kim will shed a little tear, I think!
 

Emma    Friday 14 March 2014 at 18:03

 Post #392 



 
Subject: Winter blues...

Having now finished my Autumn/Winter 2014 buying trips, I feel that I can accurately give an account of the lovely fashion we will be expecting to receive next winter.

First things first - and I know from experience that every conversation about future fashion always begins with the same question - will we like the colours?

Well, I am delighted to go on record to say that almost everyone will be satisfied with the lovely hues and patterns that the designers have provided for our delectation.

There is, just as there has been for several seasons now, a strong monochrome element - playing yet again on the Art Deco vibe. Black, grey and white prints snake their way across fluid silhouettes. Sleeves are stretchy and narrow, but the body is enveloped in a wide, unstructured graphic pattern. The shapes are deceptively simple, but as ever with these designer ranges, cleverly cut to be ultra-flattering. Ranges like Wille run with the idea of the black-and-white print or weave, in fabrics ranging from jerseys to silk/linen mixes - to offer bold but elegant impact.

Where there is colour, they are the most wearable and popular colours you could think of. All manner of blues... from denim-grey, through petrol to cobalt... the span of this hue doesn’t stop until it hits ultraviolet. This looks particularly beautiful in prints placed against black and white.

A special delight for me was a range of gorgeous soft fitted leather jackets from Danish brand, Jorli (see above) - one of which, in the almost iridescent hue of cobalt blue, had my name all over it. I could see myself swanning along wearing one of the aforementioned printed dresses, with the lovely blue leather jacket layered on top.

As soon as I did so, however, the old ‘clothes rage’ returned. I simply couldn’t wait to get that jacket, and the prospect of having to spend six months without it caused me to grind my teeth in frustration. I am actually gnashing now just thinking about it. But I know that September will inevitably make its way here, and by that time I will be lusting after the following season’s stock on order!

If, unlike me (very unlike me) your passion doesn’t run to a cobalt blue leather jacket, perhaps I could interest you in a lovely brick-red one? Or maybe teal green? Or rather I should say, perhaps Jorli could interest you in one, because this is what they are producing this autumn. Any of these jackets would look mighty fine layered over a print dress, or even a long T-shirt and jeans.

German brand Verpass has quite a bit of the red, which again it teams with the black and white look. But there is so much more to Verpass next season than this. They are going for colour in a big way. Shocking pink, our friend the cobalt, emerald, and a pop of lime really bring this collection to life - and make it one of Verpass’s best winter seasons to date.

Anna Scholz has also surpassed herself with her bold must-have designs. Again riffing on the grey and black prints, she adds a pop of mustard, teal and (surprise, surprise) cobalt and chartreuse. It’s incredibly life-affirming and completely wearable.

In fact, if I had to sum up the whole ethos of Autumn/Winter 2014, it would be with those two words... affirming and wearable. I can’t wait.

 

Emma    Thursday 24 October 2013 at 15:57

 Post #373 



 
Subject: Fashion tribes (cont...)

I have continued thinking about fashion tribes ever since I wrote a blog about the subject a few posts ago. It’s interesting how, in any area, it is always the extremes that stand out, and with fashion tribes this is especially so. There are two fashion tribes that represent polar opposites, sitting as they do at either end of the fashion spectrum.

One is the ‘Clothing Woman'. This lady does not wear fashion - she wears clothing. She wants apparel that fits, that's practical, that suits her colouring, that is of good quality and that is modest (this is actually quite important), but she couldn’t care a fig about what the latest looks are. As a hater of shopping, the Clothing Woman wants her attire to last - and this is one of the main reasons why she buys quality clothes. In fact, she would rather be painting the spare bedroom than touring the shops looking at fashion.

A typical Clothing Woman will wear nothing but trousers (usually a practical cotton pant from a very good quality range - like those from the German manufacturer, Brand), teamed with some kind of jersey top (of the T-shirt variety, often from Verpass, which produces great easy-care tops). Sometimes she will place a cotton jacket on top, or perhaps even opt for a knit. Colours are usually natural greens, blues and beiges, but when the Clothing Woman wants to inject colour into her wardrobe she can sometimes be seen in purples, cobalt blues and reds. Although she is keen to wear shades that suit her complexion, she doesn’t worry about fitting her body shape. If her body doesn’t suit the classic Clothing Woman combo of casual trousers and T-shirt, then that’s too bad; she will wear them anyway, and feel comfortable with herself. The Clothing Woman is the sworn enemy of any kind of embellishment.

Her polar opposite is the ‘Minx’. The Minx is a ‘pretty in pink’ kind of woman. She loves embellishment, froufrou and sexiness. Never far from the hairdresser’s chair, she will always flash a little cleavage as she sashays down the street, clutching her gorgeous Sarah Forsyth handbag (see www.sarah-forsyth.com). Doors will open miraculously for her as she approaches, and she has never done any interior decorating in her life.

She loves pretty colours. Pink (of course), but also red, blue, green turquoise... almost any shade you can imagine. Not averse to a little black dress (so long as it has something sexy about it - like the latest black jersey/lace number produced by Italian fashion masters Marina Rinaldi), she will often wear dresses and skirts of the type we will be receiving from German maker Jomhoy next spring (see photo above right). She likes her clothes to fit quite closely. The one thing that she has in common with the Clothing Woman is that she's not overly obsessed with getting items that suit her particular body shape. If she didn’t suit the sexy look, she would wear it anyway. But her clothes are often tight enough to describe her figure to passers-by in forensic detail, something anathema to the Clothing Woman. She is a force in her own right, and gets away with anything.

 

Emma    Thursday 03 October 2013 at 11:55

 Post #370 



 
Subject: Tribal fashion

While preparing for next week’s Emma Plus Fashion Show (taking place, of course, at the store in Brighton on 12 October at 2.00pm), I found myself cogitating on the subject of ‘fashion tribes’.

There is no shame in not knowing what a fashion tribe is (in fact, I almost think less of myself because I know about this kind of thing). To the uninitiated the term refers to the different groups that most fashion-conscious women fall into when developing their style.

One very common tribe among plus-size women is the ‘Medieval Robe’ dresser. You may not have consciously noticed this kind of woman, but chances are that you have seen her. In the summer she wears almost full-length linen dresses with long coat-like jackets over the top. Trousers are always full and tops rarely finish above the knee. She loves handkerchief hems, often with the pointed edges of her tops almost scraping the pavement as she swishes along. In the winter she will often wear knitted serapes and long knitted jumpers with huge cowl necks - and she teams it all with scarves and snoods. Colours are purple, beige, terracotta and mustard.

A close 'relative' of hers (although both would be horrified to hear me say this) is the ‘Japanese Modernist’. She wears ‘architectural’ clothes, with a futuristic twist. In the summer she will wear heavily textured linen (almost seersucker), often cut into asymmetric shapes. She may well have a long sleeve on one arm, and an elongated collar hanging over the other. One side of her outfit looks like a dress, the other side rises to reveal a trouser leg. What she shares with the ‘Medieval Robe’ woman is an unwillingness to display her body; clothes drape and flow around the physique creating ambiguity. Colours are strict: black, white, beige and red are the only shades allowed under any circumstances. She will often top-off her outfit with a severe pair of spectacles.

At the other end of the scale for dressing is the ‘Yummy Mummy’. She is usually in her thirties or forties, and lives a very busy life. There is no way in the world she would have time and space to cope with a robe, or a long collar dangling over one elbow. Her clothes are pretty, but incredibly practical. In the summer she wears a cotton jersey dress teamed with a pair of cut-off leggings. A cheerful print with a splash of colour (often picked up in her jolly choice of shoes - usually Fitflops or Crocks - or a colourful handbag) never goes amiss. In the winter she will wear skinny jeans teamed with a colourful knit and waterproof jacket, plus ankle boots. She is eclectic with her colours; she wants to wear what suits her, but she has a penchant for spots and Breton-style stripes.

Among my customers are a disproportionate number of ‘Luxe Euro’ women. These are ladies of impeccable taste. They abhor what they refer to as ‘shapeless’ clothes (there is no overlap whatsoever with the ‘Japanese Modernist’ or ‘Medieval Robe’ women), and they are obsessed with the tactile quality of garments. They can smell quality from ten yards, and their fingertips can detect cashmere while they are still several millimetres above the fabric. They will not buy anything unless it fits to a T. Not all these women possess the financial resources which you would expect to facilitate this kind of taste, but no matter... they simply become past-masters at sniffing out the truly gorgeous bargains, and they buy clothes that give them a lot of use. In the summer they will often wear a high-quality linen blouse, teamed with impeccably cut, toning trousers. In the winter they will emerge with the most gorgeous Italian cashmere winter coats known to mankind, teamed with printed silk scarves. Many of these women prefer the Italian palette: navy, beige, red, charcoal, pale grey and bright coral.

I could go on all day (there are so many different types), but I have a Fashion Show to arrange... Hopefully, it will hold something for all those who attend - whatever their particular fashion tribe.

 

 Kim P    Friday 04 October 2013 at 23:22

 
Hopefully Kim will be modelling for the Waistcoat tribe!

 

 Emma    Saturday 05 October 2013 at 15:04

Hi Kim

Funnily enough, this is the waistcoat that Kim is going to get!

x
 

Emma    Friday 27 September 2013 at 11:37

 Post #369 



 
Subject: Fashion Show October 12th

We are very excited to announce our Fashion Show, which is taking place on Saturday 12th October.

All day there will be refreshments, a prize draw, a quiz and special offers... while the Fashion Show itself will begin at 2pm. We will be showcasing all this Autumn/Winter's most gorgeous looks. We have called the show 'Snuggle' to reflect the fact that our store is at present teeming with gorgeous knits, sumptuous tops and fabulous, practical coats, in preparation for the cold months ahead.

The look this year is all about soft sophistication, with the emphasis on lovely fabrics. The colours are varied, from aubergine, through magenta to red and terracotta... or cobalt blue, through teal and petrol to turquoise... these are objects of desire!

It's worth putting in the usual reminder: anyone spending £100 or more who is parked right next door in the NCP Theatre Car Park will get 2 hours' free parking.

These days are always fantastic fun; a real opportunity to sit back and enjoy the show!

 

 Kim P    Sunday 29 September 2013 at 13:13

 
I am away that weekend :-(

I know it will be a fantastic day, hope everyone lucky enough to go has a wonderful time.

 

 Emma    Thursday 03 October 2013 at 11:59

 
Hi Kim,

Sorry to hear that...you will be missed!

Thanks for your kind words, I hope to see you soon!

x

 

Emma    Friday 30 August 2013 at 17:32

 Post #366 



 
Subject: Jazz boomerang

I had mentioned in a previous post that there were two main currents in fashion for next summer, both differentiated by colour and style. I have already talked about the trend that involved colour with a capital ‘C’ (see post no.365 which dealt with the fashion for bright digital prints next season), so now I am going to address the other main style, which is markedly different.

What are the colours that are not actually colourful? The answer is black and white, of course! In everyday life, black and white are not considered colours, yet in the fashion world they certainly are - and very important ones too. Often there is a season (usually winter) when black dominates. This is frequently a time when the clothes are gorgeous, but the clothing shops seem drab. Acres of black do not make for a good retail display! Similarly, there are seasons (usually summer) where everything in-store is white. The emphasis is then on a kind of clean, modernistic (or spiritual) aesthetic, that can alienate all but the most careful wearer. I well remember watching a friend have what would have been a tiny mishap involving a glass of red wine... had she not been wearing a pristine head-to-toe white outfit at the time. The result wasn’t pretty.

Black and white together is an altogether jollier idea. Usually (as with next Spring/Summer) this bi-tone look is channelling that enthusiastic, optimistic period in the nineteen-twenties - the jazz age. Next spring, collections as diverse as Irish designers, Personal choice (who have come up with some super little jersey dresses in black/white combos with pops of coral), Danish brand Que (lovely floor-length cotton monochrome-printed dresses), German range Verpass (chevron-printed stripy jackets) and Spanish designers Jomhoy (authentic-looking flapper dresses in Art-Deco patterns) are all in on it. The look is young and jazzy. But there's also a nod to earlier re-incarnations; I could well see Twiggy wearing some of the little dresses when they were all the rage in the sixties. But then we could equally imagine Bianca Jagger draped languidly in the soft black and white deco-inspired trouser outfits in the nineteen seventies. It’s a style that just keeps on coming back, and looks fresh every time.

Still on the flapper-dress subject, there appears to have emerged an ‘it’ dress for next summer. Many of the different collections are coming up with their own versions. These are lace dresses in two parts. There is an inner base, a glorified slip, that can be almost any colour (although it's usually black or white), then there is an outer part of lace of some kind. Jomhoy had a gorgeous version, with very fine black lace over a nude backing - the lace picked out with subtle, tiny sequins. Anna Scholz (see above right: I couldn’t resist a twirl) had a slightly Japanese-inspired one, over a black base with kimono-style sleeves. Personal Choice had a lovely one with open ribbon-lace over a cream base. There are many more... which is a good thing, because I think everyone will want one of these next season. Even if you would not normally run to a dress, it is a wonderful look to have as a long top over loose-fitting trousers or snappy little leggings.

This fashion has got a lot going for it. It is stylish, flattering and easy to wear (you can dress it up for a smart occasion, or slip it on with a pair of flip-flops on holiday).

Most of all, though, this trend is marvellous value for money. The black and white look never really goes ‘out’, and it is a real top-fashion boomerang. A bit of discreet rummaging in the back of the wardrobe every four or five years will produce something that is all the rage, and looks new all over again.

 

 Sharon Cross    Friday 30 August 2013 at 22:33

 
So exciting - i love lace. I think it was all those teenage years wearing lace fingerless gloves! And do i spy stripes at the back in the photo? I'll take any excuse to wear stripes. Do we have to wait until next year?

Ps Kim was v naughty when I visited last - she showed me far too many lovely new season things that I had to buy.

 

 Emma    Saturday 31 August 2013 at 14:22

 
Hi Sharon,

Thanks for this.....yes, Kim in a naughty girl!

I can feel your interest in black and white beginning to grow as next season approaches! Yes, there are stripes, spots, various patterns and combinations. Fab.

 

Emma    Saturday 17 August 2013 at 15:30

 Post #365 



 
Subject: A thing of beauty...

Having almost completed my buying for the Spring/Summer 2014 season, I am taking an overview of what I have found.

Although there are many micro-trends, the overall direction seems to be split into two main currents - both based on colour and style.

The first is for colour, and it is this particular fork that I am going to discuss in this post.

To mention that there will be colour in a Spring/Summer collection does seem rather a ridiculous observation. Of course, every summer has some kind of colour, even those seasons where shades are muted or neutral. However, I think that anyone who sees the palette on offer for Spring/Summer 2014 will realise immediately that I am talking colour with a capital ‘C’.

I am often asked (particularly in the summer season) what colours we should expect? Well, the answer this time is ‘all of them’! I am old enough to remember vividly (what an apt adjective) the colours that flooded the fashion stores in the early eighties. They were gorgeous - but far from subtle. A rude person would reference a children’s TV presenter when describing them, but an aficionado of design would really appreciate the joie de vivre and beauty of the vibrant combinations.

There are pinks, purples, lilacs, blues, turquoises, greens, yellows, oranges and reds. In this trend the whole rainbow has been drawn down and woven into what we are about to wear. My personal belief is that the innovation of digital printing has arrived at the very moment when the late nineteen-seventies (also a time of colour experimentation) and the early eighties were in vogue, and the impact resulted in an explosion in the paint department.

This movement transcended international borders: I found it everywhere. For example, the chic and understated Italian range Elena Miro produced a beautiful story of delightful separates based on a watercolours theme. The lilac, pink and turquoise patterns had a subtle, yet definite kick, even as they were delicately traced over the surface of jackets, dresses and trousers.

New to Emma Plus, the German range Twister tantalised my 'tastebuds' with a sweetshop full of juicy printed T-shirts and casual T-shirt dresses. Just the kind of thing to wear in the sunshine.

Q’neel, part of the Danish Godske group, provided lovely broad-brush prints in lime and emerald green, cobalt and black.

But it was at German range Brand that I found the motherload. There were gorgeous, joyful, colourful digital prints everywhere. I ran amok and bought heavily into their lovely T-shirts (see picture, right) - knowing from past experience that what they display in attractiveness is equally reflected in their quality and durability.

And this is very important. When I get a beautiful, colourful garment that is a joy to wear I want it to last. A thing of beauty really should be a joy forever.

 

 Kim P    Sunday 18 August 2013 at 18:24

 
Roll on next Summer! I like Brand, the items I have from that range wear well and were reasonably priced which is always a bonus!

 

 Emma    Monday 19 August 2013 at 12:04

 
Thanks, Kim...

There's certainly nothing drab there!

 

Emma    Friday 31 May 2013 at 16:21

 Post #358 



 
Subject: Watercolours in fashion

It seems that a mixture of influences comes together to act upon the plus-size fashion industry, resulting in the prevailing trends at any particular moment. I’ve been thinking about this ever since our Anna Scholz Day, when I was struck by how many people said they'd never seen our shop looking so colourful! Why was it that, all of a sudden, we had so many gorgeous fabric designs in stock, all at the same time?

Looking around the materials available this year, I see there really is a riot of colour, and I was set wondering what force it is that works in similar ways on different designers from completely unrelated fashion houses in countries many hundreds of miles apart. This year we have had wonderful prints from places as diverse as Germany, Holland, Sweden, Finland, Great Britain and Italy. Although the prints, like the designers who created them, are diverse, it seems that there is a subtle undercurrent that runs through the thought processes behind them.

I was trained as an artist, and I have a fascination for artistic connections, so I can’t help but come to a theory as to what is going on...

Most of the more beautiful fabric designs seem to have a wonderful ‘painterly’ quality - and it's not just any paint. The look is definitely ‘watercolours’... plus-size fashions in subtle colours that merge into one another, mixing, flowing softly, and suggesting that very distinctive way of painting.

I would say that the designs of the moment hark back to some of the most beautiful fabric prints and paintings of the nineteen-fifties. This was the era of glamour, and a ladylike, sophisticated aesthetic which was unashamedly pretty. There is always a pop of colour somewhere, be it a dash of purple among a sea of turquoise, or a pink brushstroke undulating against a green background. These are the fabrics for the woman who wants to look feminine and ‘dressed-up’. They're perfect for a wedding.

So this summer's fabrics have taken on influences from the same decade that has been dominating clothing design. We have had the nineteen-fifties inspired silhouettes for some time (and, by all indications, will continue to have them for the foreseeable future). Now we have the corresponding watercolours-inspired fabric prints from that era too. I’m delighted; they are beautiful.

 

 Kim P    Friday 31 May 2013 at 21:18

 
Sounds lovely, can't wait to see them in real life in a couple of weeks time!

 

 Emma    Saturday 01 June 2013 at 11:35

 
Hi Kim!

Can't wait to see you! When do you think you will be coming? x

 

 Kim P    Sunday 02 June 2013 at 21:57

 
Hi Emma, Tues 18th / Weds 19th. Conference time in Brighton again!

 

 natashasimpson    Wednesday 05 June 2013 at 11:51

 
Hey, ema
sound like really good a water color design clothes.

 

 Emma    Wednesday 05 June 2013 at 17:04

 
Hi Natasha,

thanks for your comment...yes, I just love these colours!

 

Emma    Thursday 02 May 2013 at 11:54

 Post #354 



 
Subject: Anna Scholz Day #3

We are still both high and exhausted after our Anna Scholz Day on Saturday. Having had these days before (this was our third ASD), we thought we knew what to expect. On the day of the event the shop looks very different after the special delivery of Anna Scholz items has arrived, and it feels different, too: it’s very unusual for all of the women who work here to be present, all at one time. There is always a buzz as we gird up our loins for the busy day ahead.

At the beginning of the day, before we are open, there is a pregnant pause. We gather together to have an early morning coffee, and to examine our handiwork. The shop floor looks great, with the Anna Scholz collection providing a riot of summer colour, and new shop floor displays created to showcase the event. The window display has been carefully devised to give maximum impact. The dainty nibbles (courtesy of John Lewis) are ready on their plates, and the fruit punch is already in its bowl. All the decks are cleared, and the pin-cushions are stuck full of pins. Outside, the sun shines brightly.

Then it’s opening time... We turn the ‘open’ sign on the door, and the key in the lock. And almost instantly the shop is full of people. Within minutes you can hear the laughing and the giggling. People are trying on colours and looks that they have always wanted to try, but they just didn’t KNOW they wanted to try them! Women move in and out of the changing rooms - a kaleidoscope of colour and pattern.

The day goes in a whirl. This particular ASD was the busiest yet. Personally, I had no time to think about anything for about seven hours: it is a kind of meditative experience. I am lost in the moment, and my head is cleared of everything except what is in front of me. Not being at all sporty, I guess this is what it must feel like to compete in a sporting event. I actually think this kind of thing is good for me (and the other members of staff) psychologically. I am certain it is very good for our customers, who, quite clearly, are having a blast.

At the end of the day we have waved Anna and Darren off, sat back down on our sofa, almost too tired to start on the journey home. And we all feel happy and grateful that we work in such a lovely job.

 

Emma    Saturday 20 April 2013 at 16:14

 Post #353 



 
Subject: Anna Scholz

I have been cogitating on the designer, Anna Scholz. Not surprising, because next week we are hosting our third Anna Scholz Day on Saturday 27th April, where the designer herself will visit our store, meet her customers and bring much of her range with her.

It’s always a great day. We have lots of scrummy nibbles and drinks, oodles of fantastic Anna Scholz clothes, loads of happy customers and, of course, the lady herself - a beautiful, charismatic presence.

Many times I have had people ask me why I love Anna Scholz and her oeuvre so much. In order to explain this phenomenon I will have to go back to the beginning...

I started working at this store 23 years ago. It was then, just as it is now, a proper plus-size shop. When I say ‘proper’, I mean that it has never been one of those irritating shops that call themselves ‘plus size’ but start at a size 12 (why?) and go all the way up to a size 22 (surely, this doesn’t even count as a plus-size these days?). When I first came here we stocked fashions from a size 16 up to a size 26; nowadays we stock mainly between size 20 and 32.

Back then, it was very difficult to find really lovely clothing in those ‘proper’ plus sizes. The main reason was good old-fashioned prejudice. Against all the available evidence it seemed that our own plus-size industry had decided a number of things about its customers. It had decided that we were elderly (or middle-aged in a particularly frumpy way). It had decided that we were dowdy (dull and lacklustre). It had decided we were sexless (heaven forbid that we showed a bit of femininity). It had decided we were shapeless and wanted nothing more than cover-ups. We were supposed to lack the energy to bother about fabric care (there was a disproportionate amount of ‘drip-dry’ clothes). We weren’t prepared to spend on our clothing. And, more than anything else, we hated colour.

I’m not saying that it was impossible to find lovely clothes back then. It was just very, very difficult. And they were few and far between. It was a difficult time for our shop.

I will never forget the first time I saw Anna’s collection. It was at the huge clothes fair that used to take place at the NEC in Birmingham and it was in February 1994. I had seen a picture of one of her dresses, and I had already decided that I was going to look her up if I got the chance. I walked on to her stand at the exhibition, and the rest is history: my shop has never been without an Anna Scholz garment from that day to this.

Anna (as far as I know) was the first plus-size woman to have her own fashion line, and it showed. She didn’t need anyone else to tell her what larger women wanted. She was young, vibrant, attractive, driven, enthusiastic, uncompromising, skilful, and anything but apologetic about her size (she is still all of these things). Her clothes were a revelation, and we couldn’t get enough of them.

Looking around today it’s easy to think that she is just one among many designers producing fashion-forward, sexy, joyful, colourful clothes. Yet she was the first, and still the best. And she has been a powerhouse, turning out fabulous items that have been a joy to consumers and an education to our industry for the past almost two decades.

 

 Kim P    Wednesday 24 April 2013 at 18:43

 
I hope everyone has a great day on Saturday, so many beautiful designs to choose from! They are always great fun and I am sad to be missing it.

 

 Emma    Thursday 25 April 2013 at 13:18

Hi Kim

Thank you very much... We're sorry you can't make it.

We've already had the delivery in and we're trying it all on, stomping up and down, pouting, squatting, swinging our hair around and posing girlishly - just like the models in the photograph!
 

Emma    Monday 04 March 2013 at 23:17

 Post #344 



 
Subject: Anna Scholz A/W 2013

I think that regular readers of this blog will already know what this post is going to be about... More than anything else, I am a creature of habit, so it can be predicted with some certainty that once my buying has finished I will be turning over in my mind thoughts about my favourite designer, and putting pen to paper (or fingers to keyboard).

Of course, it is always exciting to see the Anna Scholz collection every season. She, more than any other designer, is the inspiration for much of what we try to do at our shop. I like unapologetic, celebratory clothes, that are fashion forward, sexy, self-confident and joyful. I want fashion that is well-cut, flattering, colourful, creative and original. Of course, I get these qualities from the other design houses that we stock (I wouldn’t bother to buy from them if I didn't), but it is Anna Scholz that takes all of these qualities in each season and runs with them. She is the only collection that I have stocked continuously from the time that both she and I first started our businesses.

So it is always with a feeling of anticipation that I go along to my buying session in her large, airy rooms in London. I have never come away disappointed... but some times I come away angry. And this was one of those times.

Perhaps I should reassure readers that my anger didn’t stem from any kind of disagreement. Anna and I did not have a spat over whether orange or teal was the colour du jour. Nor did her right-hand man Darren spill coffee in my lap. And her little pooch, Frieda, did not shed dog hairs on my Alpaca coat. No, this was a completely different kind of anger.

I have mentioned before in my blogs that I can get very cross indeed when I am buying, and I particularly love what I see. I am like a spoilt girl (Violet-Elizabeth Bott, from the Just William books, I think). I see something I really love, and I just want it. I want it now! This is how I felt with several items in the latest Anna Scholz collection.

Just walking in the door, my eye fell on a lovely leather jacket that was softly calling to me. It was gorgeous: a typical Anna Scholz cut with all the designer trimmings and more, plus a really beautiful fit. Available in black or crushed raspberry, it was a real, classic leather jacket, zipped and tailored, but with fabulous fashion-forward detailing on the shoulders.

How I would have loved to have walked out of her showroom right then wearing it. To be honest, I would really like to be wearing it right now. I don’t think I would ever want to take it off. Sadly, I had to say goodbye to it, and wait six more months before I even see it at again - because, of course, this was the Anna Scholz Autumn/Winter 2013 collection. I will have to wait what will seem an eternity before I can get that jacket. Gggggrrrrrrr.

Leather did seem to be the icing on the cake of many of her designs for the autumn. I particularly loved a little boiled wool coat with faux leather trim and sleeves, which I would want to wear over one of her new tunic dresses. There is one, in particular, with a small herringbone tweed that would combine into a kind of twin-set, for wearing either with opaque black tights (and which would look super with little boots) or leggings (see picture).

Anna had devised a whole forest of these tunic dresses. I fell in love with several - including a gorgeous georgette layered one in black, which would look very sophisticated for an evening do. Another had a subtle geometric print, and a line of sequins running down the front. They felt so girly, and yet also so grown-up and sassy.

As ever, there were plenty of Anna's lovely signature stretch silk dresses, in different lengths and prints, and all manner of beautiful tops. More and more I am noticing little tunics, both as tops and as dresses.

The colours were black, olive, pink, lime, teal and purple - while the looks were both retro and modern. The fabrics were her stretch silks, leather (both faux and real), tweed, boiled wool, and various jerseys.

I will try to put any frustration to the back of my mind, however, because we have the Spring/Summer Anna Scholz collection in our store right now. And it is a dream! In reality six months will pass in the blink of an eye, which is about as much time as it will take me to lay claim to the leather jacket when it's delivered.

 

Emma    Saturday 02 March 2013 at 17:40

 Post #342 



 
Subject: Fall 2013

So, now I can officially say that I have finished my buying for Autumn/Winter 2013. If there is anything out there that I should have bought, I neither have the time nor the budget to get it now.

I do think next winter is a very strong season. As many regular readers of this blog will know, fashion doesn’t usually jump forward with a sudden jerk; it tends to evolve in a logical progression over a number of seasons. And Autumn/Winter 2013 is no exception. The looks are simply evolutions of the last winter’s lines. This means the retro-nineteen-fifties/early nineteen-sixties styles are still holding sway.

If you referred to them (and wore them) as 'tops', they would be considered long, but if you referred to them (and strutted around in them on your gorgeous legs) as 'dresses', they would be quite short. These are the garments to invest in. The look is simple, with little tunics relying for their charm on their beautiful, soft, detailed fabrics. Often there is a kind of twin-set of tunic with matching coat/jacket - which smartens up what is rather a sporty feel (see picture, right, of a lovely Marina Rinaldi set of coat and dress). Like it or not (and I love it), this is the signature look of the season. Many women will be rocking the look by teaming these items with leggings or even tights, while others will opt for a more conservative look with trousers.

The correct trousers to wear with the dress/top are, in the main, quite narrow, but some slightly wider ones are being produced that are bit more accessible for the woman who doesn’t like to show her legs off in too much detail. Then, at the other end of the spectrum, there are the really wide strides, which counter-intuitively can actually look very good with a tunic top. This is because they ‘turn’ the look a little - introducing a kind of Art Deco aesthetic.

Skirts are dirndl (please don’t expect me to buy these for my shop; I cannot bring myself to do so... yes, they are very fashionable, but I find them extremely unflattering to all larger body shapes), or pencil. Both these looks would be worn with rather grown-up looking vintage blouses and little jackets.

As far as fabrics are concerned, we are talking about luxury - with materials falling in soft drapes around a minimal silhouette. There are very soft tweedy weaves, knits, cashmere mixes, silks, jerseys, faux-furs (and real furs: but we don’t stock those!), even the odd velvet and devore. In fact, there is quite a lot of sheepskin and leather next winter, and, although the embellishment is subtle, beading and sequins give little splashes of interest here and there (and not only in eveningwear). Leather in trims and sleeves gives an edgy feel. We are increasingly seeing the use of digital printing, more often than not on jerseys, with the inspiration being the very futuristic production method itself. Many of the patterns are op-art, modernistic designs, in beautiful jewel colours.

The colours are teal, petrol and deep turquoise, mustard, cobalt, purple, grey, red, cerise... but most of all, black and white.

From both a retailer and a fashion enthusiast’s point of view it is a lovely season: so easy to buy and such a delight to introduce my customers to. In fact, I can only see one down-side. It is the fact that, even though the weather is so cold now (and, of course, I would love some new knits and coats), I still have to wait another six months to see the clothes come into store!

 

Emma    Saturday 15 September 2012 at 15:57

 Post #310 



 
Subject: Anna Scholz Spring/Summer 13

Hotfoot from buying Anna Scholz Spring/Summer 2013, I was left wondering why it is that I am always so blown away by this designer’s creations. Time after time I feel an excitement almost bordering on panic when I see each new collection (it’s so hard to decide what to buy, because I want everything), and this season was no exception. With a bit of consideration, I think I know why...

Before I worked here I could have been forgiven for not really understanding the different body-shapes of women. We are all familiar with our own body shape, and, if we have good taste and judgement, we develop a knowledge of what suits us. However, we can’t be expected to know and understand what is going on with everyone else! In fact, the biggest learning curve that I had to climb when I first started working in plus-size fashion was to understand the great diversity of physiques amongst larger women - and how I could use this knowledge to help women to create their best possible look.

One of the frustrating aspects in my business is that each plus-size designer seems to create clothes for one particular body shape. For instance, Elena Grunert creates for the tall, larger woman - with a somewhat straight physique. Her partial namesake, Elena Miro, on the other hand, has designs on the neater, perhaps more apple-shaped woman. The collection produced by Exelle excels in flattering shapes for the pear-shaped woman, while Personal Choice has a happy relationship with the hourglass lady. Although there are always exceptions to this rule, what tends to happen is that the body shape - not the taste - of a woman is what dictates the designer that's best for her.

With Anna Scholz, however, the tables are turned by the fact that she has an unheard-of level of experience and knowledge for a designer in our industry. Looking around the Spring/Summer 2013 collection, I was amazed by the sheer diversity of it all. There are gorgeous items to suit every body shape, and yet all of them enjoy the highly distinctive Anna Scholz vibe.

This year (as with most years at Anna Scholz) is all about the dress. We see it here in every possible incarnation... The work dress, in either black/white or cobalt/black combinations set with panels for a flattering waist. The fun, flirty little nude-coloured pleated dresses, finishing above the knee, that my niece would kill for. The gorgeous double silk long (or short) kaftans, for which Anna is justly famous. The floor-length maxi-dresses, in cheerful summery colours, that will grace many a Mediterranean holiday next year. And the sophisticated, strappy evening dresses that would instantly give you a pop of glamour for even the most prestigious event.

Yet it was the little, deceptively simple-looking day dresses that I have come away dreaming about. There was one in black and white with little flashes of red, shaped by clever all-round darts, that looked cool and cottony for the summer that we know is going to come-in next year. The floral cotton dress (pictured above) managed to be a vintage Anna Scholz item, while still looking completely new and fresh. Then there was another black and white dress that skimmed the body in a shapely, yet swishy way, frothing with a little soft frill around the bust and arms in an incredibly feminine manner. You put it on, and you are good to go... anywhere!

The colours are edgy: nude, cobalt, black, black/white, peacock and flame. And the fabrics are - as ever - her great strength. The wonderful double silks are joined by jersey, crepe, georgette and cotton sateen.

Taken as a whole the collection provides a comprehensive resource for plus-size women (particularly those obsessed with fashion) of every body shape, which they can select from and know they will look gorgeous in. If you are into Anna's style, then you're in.

 

 Kim P    Tuesday 18 September 2012 at 11:46

 
That dress looks lovely on you Emma. It's amazing how Anna Scholz keeps coming up with such gorgeous prints season after season.

 

 Emma    Thursday 20 September 2012 at 14:54

Thanks for your remarks...yes, Kim, Anna does have a genius for fabric. I think one of the aspects of her as a designer is that she is completely uncompromising with her fabrics. Even this very simple jersey dress (see right) packs far more of a punch because of the sophisticated palette and Art-Deco references, that draw you in...
 

 Rozi Desouza    Tuesday 25 September 2012 at 11:47

 
This dress is looking so beautiful on you. You are looking gorgeous.

 

 Emma    Wednesday 26 September 2012 at 13:47

Thanks, Rozi, for your lovely comments.

This is another Anna dress that I felt fabulous in (see right)!
 

 Bruno Moretti    Thursday 18 October 2012 at 08:44

 
Nice dress. You are looking so good in this dress.

 

Emma    Saturday 25 August 2012 at 19:25

 Post #308 



 
Subject: Spring-Summer 2013!

I am half-way through the buying season (which for some reason seems to be going on for rather a long time this year), so I feel that I am beginning to get a bit of a view as to some of the trends that are appearing on the horizon for Spring-Summer 2013.

I love the look that is beginning to prevail. There is a softness and luxury to it. For several years now the emphasis has been on an easy, luxurious look, with beautiful printed and patterned fabrics and elegant silhouettes.

This is the era of the dress, and the summer season I'm seeing really does seem to be providing plenty of choice... and I haven’t even seen the Anna Scholz collection yet! The two basic types of dress have remained the same now for several years: the maxi-dress and the on-the-knee dress.

The on-the-knee dress comes in a number of different permutations. There is what I coyly call the ‘short dress, long top’ look - by which I mean a dress that a young woman would wear with a pair of sassy coloured tights or (in the height of what will hopefully be a summer next year) tanned legs and plenty of attitude. Whereas women of – ahem - my kind of age would call it a long top, and probably team with a really lovely pair of trousers.

This dress also comes in a more demure grown-up version (see image, right, from the French company, Alain Weiss, worn with a matching chiffon jacket...; as ever, please excuse my hair - it's an occupational hazard when you are on an overseas buying trip and have to try on a hundred different garments), where the dress is somewhat short, yet entirely wearable without causing blushes either to the wearer or the viewer. As this dress is sized up, the length also grows, and it can be shortened to fit.

Clearly the maxi dress, by definition, comes in just one form: it starts at the top of your body and keeps on going until it hits the floor! In olden days one needed to be going out somewhere quite posh (and most likely in the evening) to wear this kind of thing. If you walked down the high street in the middle of a week-day wearing one, heads would turn - more with curiosity than admiration.

Now, the maxi-dress has beaten down the wardrobe door and is dashing around all over the place. These days you can see it - accompanied by a little cardigan and some colourful beads - wafting down the road in the spring sunshine, on its way to lunch with friends. You can catch sight of it in the middle of the day, teamed with flip-flops, floating along the seashore on holiday. Or you can spy it, teamed with a slouchy designer bag, chunky gold necklace and sunglasses, jumping out of a sports car in a county town, ready to do a little ‘retail therapy’. No-one now thinks you are overdressed.

What all these dresses have in common now is that, with a little bit of application (of lipstick and mascara that is), and a bit of attitude (a few well-placed accessories), these dresses can still be dressed-up to do all the posh things that we have always expected of them. Summer weddings, Ascot, evening events, the opera, parties, etc. And then afterwards, we can wear them thoroughly dressed down and integrated into our everyday lives. This is the true joy of living in the era of the dress!

Colours, of course, are essential. The shades I've seen so far for next summer are cerise, emerald, lapis, slate, and black and white. For dresses, it really is all about the prints. Next summer is going to be a riot of the most feminine, gorgeous pattered fabrics that we have ever been lucky enough to find. All in all, really gorgeous, wearable clothes... roll on next year!

 

Emma    Saturday 11 August 2012 at 14:28

 Post #305 



 
Subject: Simply divine

I am just so excited about the new collections that are starting to come in. This week we had some gorgeous Elena Miro (fabulous jersey tops and dresses, jackets etc), Verpass (knits to die for), and the very beginning of the Anna Scholz consignments.

It’s fantastic to see the wonderful life-affirming colours. Fashion works in mysterious ways... by the time the new colours arrive in the store we are longing to get our hands on them.

These two box-fresh Anna Scholz dresses are simply divine.

 

Emma    Friday 27 July 2012 at 18:30

 Post #304 



 
Subject: Whirlygig

It has to be said, I am quite an argumentative person. Who could be more argumentative than someone who, even when re-reading her own words, disagrees passionately with them? That’s me!

When I was re-reading my last post about buying for next summer, I found that I just didn’t agree with me, and felt the urge to put the opposite point of view.

In my last post (to jog your memory or save your time if you have not read it yet), I was talking about what you could call ‘practical’ fashion. I was looking at the weather we have had so far this summer (and the last, and the one before that), and thinking about the kind of clothing that has recently proved to be the most useful. Then I was intending to get more of those kinds of hardworking, everyday items. You know the sort of thing... lovely, comfortable trousers, teamed with smart little jackets and pretty tops. How very practical, comfortable - and sensible!

Oooeer. That’s a word that brings me up short. Sensible? Has it really come to this, that we (calling ourselves a fashion store) start thinking about buying sensible clothes? How hideous! How very pedestrian! Isn’t fashion about something a whole lot more than simply dressing yourself? Isn’t it really about beauty, passion, gorgeousness and lust? Aren’t the clothes we wear a whole lot more than simply covering us up in a practical, workmanlike way? Aren’t they transformative? And if they are transformative, wouldn’t it - on the whole - be so much better to be transformed into something stylish, lovely, individual and original, than into something sensible?

What if news of my awful lapse got out? Gather round, everybody, and see the Emma Plus Spring/Summer 13 collection... it’s wonderfully sensible! It would ruin our reputation.

So how have I suddenly recovered and seen the light? In the week or so since I wrote that last piece, three things have occurred to make me regain my usual fashion mojo. The first thing (the elephant sitting in its familiar spot in the corner) is that the weather has completely changed. Walking down the road just now, I felt like I was abroad. The golden sun was filtering down, and there was a kind of summer spirit shimmering in the air that made Brightonians look different from a few weeks ago. Back then we appeared thoroughly British: damp, earnest, nose-to-the-grindstone folk, manfully struggling through the mizzle to get to work. Today, we all looked like sophisticated, relaxed, suave Europeans, stylishly sashaying down the avenues, casually selecting a picturesque roadside café in which to start our torrid affair with a handsome Gallic... sorry. Starting to get carried away there! Still, I think you get the overall picture. What a difference a bit of sunshine makes!

Another thing that has happened since I wrote my last blog is that I have started to receive brochures from the various collections I buy from. It’s early days (I haven’t, for instance, seen the Spring/Summer 13 Anna Scholz brochure yet), but the omens are good. More than that, they are exciting!

Looking at the brochures I’ve had so far I’m seeing colour; beautiful turquoises, cherry pinks, emerald greens and cobalt blues. There is texture: soft, tiny crinkle linen weaves, chiffons, rich swirling jerseys, and delicate lacy effects. In dresses there are drapes that swirl around the body as if caught-up in a summer breeze, and gorgeous tops and jackets with plenty of volume. There are prints (some of the best I have seen: abstract, or near-abstract sophisticated flower designs) in bold, life-affirming blocks of colour.

Suddenly, looking at the pictures, I realised that (for example) what I really needed in my life right now was a pair of stretch skinny cherry pink jeans. Who knew that? Luckily, Brand did.

The final reason for my abrupt change of heart is that the buying season has crept up and is now thundering down on us like the tornado in the Wizard of Oz. I am caught-up in the whole fashion whirligig that spins us rounds and deposits us in a completely unexpected place every season. It’s better than any fairground ride.

Funnily enough, a close look at many of these exciting items also reveals something quite odd. Many of them - like the aforementioned skinny Brand jeans (seen above right with a sleeved, pretty little top) - also happen to fall into the ‘sensible’ clothing category. On second thoughts, perhaps I’d better not mention that.

 

Emma    Saturday 02 June 2012 at 14:23

 Post #296 



 
Subject: Red, White and Blue...

I don't know whether it is the 'nautical' look, or whether it's the jublilee, or the olympics this year, but somehow that red, white and blue look seems so fresh right now.

It's funny how all the fashion planets seem to go into allignment every now and again, creating a perfect fashion moment.

We do our best (as you may be able to see in the photograph, right) to capture those moments in our windows.

It can be dangerous investing in designer fashion that captures the spirit of a particular moment, because good quality clothes are made to last, and are absolutely not just for one season. Luckily, in this instance, although it is absolutely a look-du-jour, in fact the whole red, white and blue image is a very durable one. It seems to make some kind of an appearance every summer.....

 

Emma    Friday 18 May 2012 at 15:51

 Post #292 



 
Subject: Seasonal wedding ranting...

It’s ‘wedding time’ of year again, and already we are seeing the same issues that plague us every year. As an innocent optimist, I am hoping that if I can put some of these problems and solutions on to my blog, this may do something to create peace, harmony and happiness throughout the land (I’m nothing if not ambitious!).

Before I start my seasonal rant, it might be in order to put forward my credentials, in the hope that this may make my words seem just a teeny bit more convincing than if I were a random woman working in a clothes shop, trying to set herself up to give advice to innocent passers-by in cyberspace. I’m not one of those, of course!

I have been working here at the shop for 22 years now, and we are a business that specialises in special occasions. Our clothes have conducted orchestras, met the Queen (many times), attended Ascot, received awards, held presentations, been up for election, sat across board tables and judicial benches. But, most of all, our outfits have attended weddings. Many, many weddings!

So over the years my colleagues and I have garnered all kinds of knowledge and experience, which can be of great help to those attending a wedding. There certainly does seem to be an epidemic of problems associated with dressing for such events these days. These are new problems; they did not occur until relatively recently and, unlike many other wonderful modern innovations, they are extremely unwelcome developments.

At the risk of seeming bombastic (let’s call a spade a spade, I am feeling bombastic about this right now!), I think I will simply provide a list of bullet points that, in my opinion, would be well remembered if you are in the throes of bedecking yourself for this most celebratory of occasions.

1) If you are the mother of the bride, then no-one (that's no-one, not the bride, not your husband, not your auntie Noreen nor your neighbour’s favourite niece) should tell you what to wear. Period.

2) If you are the mother of the groom, after discreet, polite and somewhat distant (there is really no need to get too involved with any other person) liaison with the bride’s mother - who takes precedence - no-one should tell you what to wear.

3) Colours cannot be ‘bagged’. Obviously, no-one wants to wear exactly the same outfit as someone else. Other than that, everyone should wear the outfit that they like the best. The only exception is that there should be ‘clear blue water’ between the two mothers’ outfits. This is something that is easily avoided (see no. 2).

4) The idea that someone lower down the pecking order than the parents of the two protagonists should seek to ‘bag’ a colour is simply outrageous.

5) If someone further down the pecking order wishes to wear exactly the same outfit as one of the mothers, for courtesy’s sake, she should give it up, and choose something else. There should be no question of the mother having to cede to one of the guests, even if the other woman ‘got there first’.

6) No rule of politeness has been broken by refusing to comply with another’s instructions on one’s outfit. In fact the contrary is true. It is exceptionally rude to tell someone else what to wear... even if you are the bride.

7) You will always look better in an outfit that you like. It is your duty, as a woman, to look your best at all times... particularly at a family wedding.

8) When you arrive at the wedding (even wearing the ‘verboten’ colour) looking fabulous, everyone will be extremely happy, and no-one will ever take offence.

9) The best defence against other people's attempts to bully you into wearing what they decree, is to wear what you want and look fabulous. Looking fabulous trumps everything else.

10) The rest is silence.


It may be an idea to discreetly print off this blog, and leave it carelessly on the table when the bully is taking tea with you. You may even wish to slip a copy into her handbag as she leaves, so that she can read it at her leisure. It will give her something constructive to do with her time.

 

Emma    Thursday 17 May 2012 at 12:46

 Post #291 



 
Subject: ASD

Anna Scholz doesn’t come to town every day, so it was a huge red-letter day on Saturday when she and her sales manager, Darren, came down to visit us. The sun was shining and everything was looking really bright and colourful in our store. To celebrate our ASD ('Anna Scholz Day'), we had decked out the shop in Anna Scholz displays, and had given her collection pride of place in the centre of our store.

We ordered scrummy nibbles (hors d'oeuvres and darling little cakes from Waitrose... bless ‘em!), and put plenty of bubbly on ice. We had our whole staff working together for this day, and of course we were all wearing Anna’s creations.

The stage was set, and we gathered expectantly at the beginning of the day. It didn’t take long before the shop was flooded with people. Anna fans had travelled from all over to get to us, partly because Anna had decreed that we be stocked with the largest collection of her Spring/Summer 2012 collection that you could find in our country, and partly to meet the lady herself.

We’ve had an ASD before, and it was one of the happiest working days I have ever spent - so I knew it was going to be highly enjoyable. However, it is only in the thick of things that you really understand what fun it is. There is something colourful, joyful, glamorous and decadent about Anna Scholz clothing, and all the women who had come into the store on Saturday knew and appreciated this. It was a meeting of like-minds!

Anna drew two lucky winners for the prizes that were available in our lucky draw. The first prize, for a voucher for £250 worth of Anna Scholz fashion, was won by Sidonie Stevens. The second, an Emma Plus necklace, was won by Jane Steven (the similarity in names is co-incidental: we didn’t go out trying to find Stevens!). This was a particularly happy chance, because Ms Steven, as a ‘small person’ wouldn’t have benefitted from the Anna Scholz prize, but as she happened to be in the store when the draw took place, found a gorgeous vintage blue/green necklace that matched the peacock-print dress she was wearing at the time.

Quite what Sidonie Stevens is going to do with her voucher is yet to be decided... the delight and excitement was palpable when we telephoned to inform her!

 

 Emma    Saturday 26 May 2012 at 17:10

Just a little pickie of Jane Steven with her lovely vintage necklace prize.

We are hoping to get a photograph of the delightful Sidonie Stevens wearing her gorgeous Anna Scholz prize....when we do, we will post it onto our forum!
 

 Emma    Saturday 26 May 2012 at 17:14

On the ASD, our lovely customer, Anna Martin, cooked a fantastic cake in the shape of a saucy basque.

Anna Scholz cut the cake, and we all had a piece...it was light, fluffy, delicious....risen!.....everything my cakes are not. Thanks so much Anna!
 

 Emma    Saturday 26 May 2012 at 17:34

It was lovely to see past and present members of staff at the ASD. Jan, who used to work with us, still shops here, and is one of our most stylish regulars.

Of course, she loves to wear Anna Scholz's clothes, so it was only fitting that she looked resplendent when she met the designer in person!
 

 Emma    Saturday 26 May 2012 at 17:40

I was particularly taken by the way that Kim P, who travelled down to Brighton especially to attend the ASD, managed to channel the Anna Scholz livery with her own outfit.

She perfectly matched the promotional material for the Spring/Summer Anna Scholz.

We had to keep an eye out for her as, camoflaged as she was, she was able disappear into her 'natural habitat' on the day.
 

 Emma    Saturday 26 May 2012 at 17:46

Part of the 'dream team' on the day....on the left, Jackie and Lisa, with Kim on the right. Centre right is our 'intern for the day', the lovely Leo.

All are looking superb wearing Anna Scholz, and showcasing the variety on offer in the range.
 

 charlie conley    Wednesday 13 June 2012 at 10:29

 
Please upload the image before completing the rest of the form or your data will be lost!

 

Emma    Friday 11 May 2012 at 17:40

 Post #289 



 
Subject: ASD minus one

So here we are, the night before our ASD (to the uninitiated, Anna Scholz Day), and, although I know this does mean that I am a very excitable girlie, I am feeling really hyper...

We have had a large delivery of gorgeous things: dresses, tops, jackets etc., and the Anna Scholz butterfly colours have really given our little shop a zing. There is something life-affirming about those lovely shades.

The stage is set... let the trying-on begin!

 

 Jackie Newman    Sunday 13 May 2012 at 09:13

 
What a brilliant time I had at ASD!!! Loved meeting Anna and Darren. Great personalities! Can't wait to see the photos. Loved the clothes and can't wait to wear the Cornelli dress on the cruise!

 

 Kim P    Sunday 13 May 2012 at 12:58

 
Just to echo Jackie's post, it was wonderful yesterday and I am so pleased I went. A joy to see so many ladies looking beautiful in their new outfits. Anna and Darren are such lovely people too. Thank you again!

 

 Nicola Sutherland    Sunday 13 May 2012 at 14:20

 
Sorry I didn't get to meet Anna but was early/lucky enough to have lots of gorgeous things in my size to choose from. Am really pleased with all three of my gorgeous new dresses. lAnd as always the lovely welcome, service and honesty on what suits me best that I always get with you. Look forward to the next Anna day.

 

 Emma    Thursday 17 May 2012 at 12:49

Thank you, Jackie, Kim and Nicola for coming, but also for helping to make the ASD such a success!

I'm so glad you enjoyed it... it really was fantastic, and we are now actively persuading Anna to come down again next year. The ASD only seems to get bigger and better!
 

Emma    Thursday 15 March 2012 at 15:35

 Post #274 



 
Subject: Greek goddesses and dressing-up boxes

So here I am, hot-foot from the Anna Scholz showroom - where last week I was buying the collection for the Autumn/Winter 12 season.

It’s always lovely to visit Anna, Darren and co in their den; a light, open space situated in a post-industrial building. Her team are always beavering away at their desks and tables, sharing a cup of tea and a friendly welcome to us buyers. It must be a very pleasant thing to see the recipients of your hard work arriving at your workplace, and to be able to listen to the succession of noises emanating from the viewing area. In our case, the noises were - in ascending levels of volume: a) stunned, delighted silence; b) sighs of enjoyment; c) tinkling, happy laughter; d) cries of joy; e) screams of ecstasy; f) loud slaps to calm us down... At Anna Scholz, it was ever thus.

More and more these days I am finding that Anna Scholz is all about dresses. Thank heaven for that, because there is no-one who can cut dresses for plus-size women the way Anna and her team can. The most important thing about dresses is the fit. They have to hang properly on the body, to express the womanly shape, yet to be flattering and not give ‘too much information’. This is far, far more difficult than it sounds - and it sounds difficult enough! Most dresses from other designers either show a woman’s shape, both the good parts and the bad (in case you are struggling with what I am talking about, I mean womanly curves equals good parts, cellulite and wobbly tummy or legs eqauls bad parts), or just give up and are completely shapless - not a good thing.

It goes without saying that Anna's cut effortlessly scythes through these issues; she is never shapeless and always figure-enhancing. Many of her dresses this season are either fitted (for instance, her lovely tweedy work dresses, teamed with matching sharp jackets) or fluid (stretch silk was very much in evidence) and high-waisted. The fitted dresses show a maturity and showcase the slightly retro-aesthetic around at the moment. For many of these more suit-inspired outfits the ‘sexy executive’ or even ‘seductive librarian’ look is explored to an extent that any woman who has not yet grown out of her ‘little girl with a dressing-up box’ phase would be more than happy.

Of course, I have always loved Anna’s stretch silk dresses. These days she always shows a panoply of shapes, some more floaty than others, some long, some short. This season she created dresses with panels, cleverly manipulating the fall of the fabric, and drapey frocks that brought the cloth across the body in ways reminiscent of a Greek statue.

There were other fabrics, too. Beautiful soft wool/cashmere mixes to create her swing coats in pumpkin, caramel, or sumptuous black. Silk chiffon was turned into dresses with sleeves and skirts that would take a will of iron not to swish around the room in every time you put them on. And various jerseys... for example, her 1970s-inspired jersey prints with which she has gone full-on and created maxi-kaftans that Penelope Keith would have been happy to sport in her classic creation of the glamorous but monstrous Margot in ‘The Good Life’.

People are always taken with Anna’s fabrics, particularly her stretch silks which, like all of her fabrics, are exclusive designs. I’m not surprised that they are what she is known for; there are fabric designs to die for in every collection. However, I don’t always think this is why her pieces are such a joy. One’s eye is drawn to a gorgeous fabric, yes, but only a fool will buy a dress, no matter how lovely the print, unless the cut of it enhances the body. How many of us have, with great regret, walked out of a shop after trying to squeeze ourselves into something made of a lovely fabric, only to have to give up on the whole idea, and go home with a heavy heart?

This is the true revelation from Anna Scholz. When I first see her new fabrics, out of an old habit I inwardly sigh, because somehow I still don’t really believe that the lovely cloth will ever be made into something that will either fit me or flatter me. Yet when I then try the dresses on I see that they are cut just as well as they are printed, and it is like a dream come true. Hence the squeals of ecstasy in her showroom.

The prints this season are in a superb palette of emerald green, teal, mulberry and cobalt blue, and also project a nineteen-fifties vibe. There are animal prints that are subtle and sumptuous in blues, greens and blacks; there are abstracted graphics; and there are full-on Rothko-inspired painterly effects.

My absolute favourite is a gorgeous Rothkoesque stretch silk print, draped day dress in the most glorious blues, greys and black - pictured. I also cannot resist showing you a lovely emerald snake-print top... or dress if you happen to be below the age of thirty!

 

 Jessie Clay    Friday 27 April 2012 at 22:49

 
i would like to know if you have a book that you put out and do you make thing that a lady can wair in a wheel chair ? and that is not coast a arm and a leg ? if you do i would love to get a book and see what you have . thank you Jessie Clay

 

Emma    Saturday 25 February 2012 at 14:46

 Post #272 



 
Subject: Colour...Fall 2012

During the buying period we flit round and about like bees gathering honey, visiting all the different collections. Each designer we see provides goodies, but it is only when we make our full selection, and imagine it all side-by-side in our shop, that we can judge how the flavour of the coming season is going to develop. We've done most of our buying now for Autumn/Winter 2012, but there is one designer that we have not visited yet, and it’s a big name: Anna Scholz. Until we have taken-in her collection, the overall essence of the look for next fall is still up in the air.

Anna Scholz is all about colour, so her collection - I think - is going to be key for us next season. The colours we have been buying from all the other collections have tended to be in quite a narrow band. The sharp-eyed fashionistas who have been reading my blogs may have noted the main palette. There has been a lot of black (and when I say a lot, I mean it!). Ordinarily, I would worry that this may be a little dull, but the black items we have been buying have been so gorgeous that they can be forgiven. The emphasis is on fabric - and what fabrics we have been seeing! From the gorgeousness of the black and white tufted tweedy Marina Rinaldi coat, through sharp pin-stripe black and grey suiting at Elena Grunert, to the subtle black and silver-grey weaves of neat little Elena Miro jackets, it’s been all about the fabrics.

Then there are the greys. Grey is not the easiest colour in the world to sell in our shop. Many women (quite wrongly, actually) worry about wearing grey after the natural colour of their hair has silvered. However, mother nature normally equips us with colouring that works well, and as our natural hair colour turns grey (although, ahem, this may not necessarily be the colour we admit to), our skin tone usually becomes more subtle, and looks cool, elegant and crisp set against these neutral shades - which then starts to suit us more than the colours we wore in our callow youth.

The greys on offer next winter are a pebble-palette of silvers, taupes, gunmetal, ash and anthracite. We’re talking minimal, sophisticated and incredibly easy to wear.

So other than grey and black, what else is there? Moving right along from the taupe, we have antique ivory, stone and beige. Hhhhmmm. I think it may be correct to suggest that, by this point, all red-blooded British women are going to reply... but where is the colour?!

Luckily, set against all this subtlety there are some beautiful colours that take centre stage. At Marina Rinaldi we saw beautiful positive purple. Everywhere we saw shades of red (from brick to eye-popping scarlet), and in a number of places there was pumpkin and teal and/or turquoise.

Set against this were some gorgeous blues. All the above colours are jewel-like, strong positive shades that popped when placed against the subtle background hues of the season. The blue, however, was really special when seen in this context. I call it viola, because it reminds me of the gorgeous viola flowers that my mother used to grow. The colour glowed and winked at you as you passed by, always giving a little hit of pleasure when you noticed it. Some of the best blue items I saw winking at me as I was buying for next winter were in the Verpass showroom. Truly lovely blue knits (often shot through with black) that teamed up with blue jersey tops to provide wearable, stylish investment pieces to enhance any wardrobe for years to come (see picture, above right).

 

 Victoria Hollis    Wednesday 07 March 2012 at 21:38

 
I am in love with this blue you are wearing. I have to admit that a lot of my wardrobe is black but I use colour to offset what may be looked at as funeral wear. For example a favorite outfit of mine is the wonderful verpass jersey trousers I bought from you with my Anna Scholz black crepe jersey top with shoulder cut outs and teamed with the bug print mac. I team this with my new red framed glasses my big red patent leather bag and a coat of bright red mac lipstick andd I am good to go. Fabric is so important as well like you mentioned. Like the angel circle black silk column dress you had in before Christmas the way it looked was amazing. I understand you are off to see Ms Scholz tomorrow I hope you have a wonderful time

 

 Emma    Thursday 15 March 2012 at 15:37

Hi Tori,

Thanks for that....the Anna Scholz, as you may gather from my blog (above) was fantastic.

If you like that blue, you will love the gorgeous colours of the collection. The dress that I am wearing here has blue and purple lights in it, and she also does this print in a full-length style that you would die for.....
 

Emma    Thursday 02 February 2012 at 19:59

 Post #270 



 
Subject: What we really, really want...

Well it’s here again... buying time! It seems ridiculous (even to me) that I can still get so excited about an event that comes round every six months and that I have been involved with for the best part of the past twenty years, but there it is. It really is something that I never tire of!

This weekend Jaq (the store manager) and I will wend our way to Germany to visit the fashion houses in Düsseldorf. This is where most of the designer clothing companies rent showrooms where they set out their stall to sell to us retailers. We can trawl through dozens of collections there, buying the best, and taking note of the rest.

Before we go, we really have no clue as to what to expect: fashion can turn on a sixpence, and even having an encyclopaedic knowledge of what has gone before doesn’t give you any kind of a head start.

For example, Spring-Summer 12 (the collection that is now hitting our shop) has got beautiful bright colours, and quite modernistic, fresh styles, much of it inspired by holiday wear. If you turn to our ‘Our Range’ page on our Home Page, you will see what I mean: the new images are in. The looks are very current, and the colours are what I call ‘Barcelona’ tones... young, vibrant, joyous and artistic.

Yet the season that preceded this collection (the Autumn-Winter clothing that we are just selling through now) was all about the retro look. There was a palette of vintage colours, reminiscent of 'Mad Men', and more structured shapes that spoke of a sophisticated, bygone, ladylike era. This was grown-up dressing.

There had been a sea-change between these two seasons, so there may yet be another one in the pipeline! Who is to say what the new Autumn-Winter 12 looks are going to be?

Perhaps now I am conveying something of the excitement that can accompany a buying trip...?

All I can do before I see the new collection is to cogitate on what it is that I am looking for. One must - first and foremost - remember that I will be buying a winter collection.

Yet again, I will be looking for knits like a heat-seeking missile. We have had so many cold winters of late, that it really does seem that I can sell each and every beautiful jumper, knitted cardi, jacket, sweater-suit or knitted dress that I can lay my hands on. So I will go out, hell-for-leather to get the best available.

It’s a tough job, but someone’s got to do it... That’s my way of saying that I adore knitwear, and I could stare at gorgeous knits every day and night from here to next Christmas - and never get bored. I love my job.

I would adore to get my hands on a really, really long coat! What is it with designers, that they seem to make lovely mid-length coats (good!...take a look at this lovely wool version for Winter 12, by German designer, Brand, right), but no really long coats (bad!)? I know there is now a pent-up demand for the long coat, and I will try my best to satisfy it.

This winter we stocked some gorgeous business suits from the likes of Marina Rinaldi, Elena Grunert, and others, and they sold like hot cakes. In fact, I would say that this is one particular requirement that never goes away. Even those customers who have been lucky enough to have already bought business suits from us, still want more! In fact, the one thing that really seems to stimulate the urge to buy a suit from us, is to have just bought one! It seems they are addictive.

And there are those women who didn’t get a look-in with the suits... they want some too! I refuse to buy a boring suit, and finding the really interesting and super ones is always a bit of a hunt, but I am packing some comfortable walking shoes, and I will not give up until I am successful.

Of course, I am canvassing opinions from my customers, and would love to hear any requests on this blog, or in the shop.

What do you all really, really want from next winter’s collections...? How can I make your day...?

 

Emma    Thursday 03 November 2011 at 16:05

 Post #251 



 
Subject: Dark energy

I was chatting to a lady today about how much black we wear, and in that kind of vague, fashion-brained way that things reverberate in one’s head, the conversation seemed to resonate with something I had heard in a programme on TV. It was a science programme, and it revealed that there was an enormous amount of ‘dark matter’ in the universe: it’s unseen, and went unnoticed for a very long time; no-one really knows what it’s there for, or really understands it, but it is pervasive. It influences everything, and our cosmos would be a completely different place without it. How very like the ‘dark matter’ within my own wardrobe!

Working in fashion, as I do, I find that over the years I have accumulated just about every ‘must have’ item of black clothing (and then some). I’ll tell you a fashion secret that we all know, but which is never alluded to by the fashion writers: not everyone has the time, space nor money to have all these ‘must have’ pieces! However, each item is extremely useful, and ultimately no-one regrets investing their money this way.

For instance, I would always recommend that you have a smart pair of black trousers for daytime. You know the kind of thing... crisp, tailored black trousers which, for instance, can be worn with a contrasting jacket for a job interview.... or teamed with a fashionable blouse to go out to lunch or a work meeting. This is the kind of trouser that is kept ‘for best’ and should last years. There are women out there who can rock the ‘crisp white shirt, gold necklace, smart shoes, handbag and black tailored trouser’ look, and it will take them anywhere!

Then, of course, there are ‘evening’ trousers. These could be any interesting, pretty, occasional trousers. They could be a fluid jersey, velvet, satin - even brocade - as long as they are cool and comfortable. It’s a terrible mistake to buy clothes so smart that they are actually uncomfortable.

Then you have the casual black trousers (dear me, who knew we needed so many pairs!). They may be really casual (black denim, say), or a step up - perhaps a stretch viscose mix with a bit of smart-casual style. Or even ‘leggings’...

Then we move on to dresses. These could hardly be described as ‘must have’ items, because so many larger women have to learn to live without them - as they are difficult to find. A good, plainish black day dress is a fantastic item. It could be worn to work on its own, or under a work jacket. It could be teamed with a smart jacket for a wedding, or it can be worn under a super-smart little jacket for Ascot - or a hundred other summer (or winter) events. It’s a wonderful foil for a superb piece of jewellery or pretty scarf.

This is not to leave out the ‘little black dress’, which is all about eveningwear. A good black evening dress comes in many incarnations - from the full-on ball gown to the minimal base over which a beautiful jacket shimmers.

Obviously, we all need a tailored black day jacket (obviously!). This could be a blazer or a traditional suiting jacket. Then there is the smart evening jacket. I know we don’t all really need one of these in order to live, but life is so much easier if you have one! Popped over a little cami, and teamed with the aforesaid black evening trousers, you are good to go at a minute’s notice.

These black items nestle quietly in my wardrobe. They are not the show-stoppers, and (for me at least) lacking in colour, they are always in the background of my look. When I am seeking out the ‘outfit du jour’, I don’t usually notice them; I’m thinking about my coloured pieces. The black supporting acts are just there. They are understated, and their utility and excellence are just taken as a given. Yet they provide my wardrobe with enough ‘dark energy’ to look smart at a minute’s notice, and without any stress. They may not be screamers, but they are vital and pervasive.

 

 Victoria Hollis    Thursday 10 November 2011 at 16:52

 
I read this with interest as I'm sure with many ladies I have a lot of black in my wardrobe. I went through a phase in my late teens/early twenties when all of my wardrobe was black as I had such poor self esteem I wanted to hide into the background.

Not so anymore lol I have a number of black items which I call into service to act as a foil to the large number of brights I have. I also have a love for prints which mix black with brights for example Anna Scholz's lumencent leopard print of a few years ago to this seasons stunning snake print items.

I refuse to restrict myself any longer. With my cool colouring pastels look dreadful on me I need stark clolours.

So (hoping to get a heads up here lol) what kind of prints can we look forward to S/S 2012 Emma?

 

 Emma    Thursday 10 November 2011 at 17:42

Hi Tori!

Thanks for your question, and thanks for, as always, really understanding what I was trying to get at with my piece: the fact that we all wear black items, but they don't have to rule our lives!

Sometimes, it seems that we larger women can go to either one extreme or another.... we drape ourselves in acres of black, or we can rebel against it, and wear no black at all!

Yet the best course is to use black for what it does best....as you say, as a wonderful foil with which to set off colourful or printed garments.

When I do my buying, (I have to admit) I do tend to buy a lot of colour, but mainly in plain fabrics. It's not that I don't like pattern (I love it). It's just that, quite often the patterns that certain companies think are suitable for larger women are mumsy and uninspired.

Over the years, however, we have sourced some wonderful collections that have superb fashion-forward patterns. Next summer has a plethora of such lovely items. The colours are varied: proper 'summer' colours. There're blues, purples, greens and a lot of different pinks.

Many of the prints are rather 'paintily', as if they are original art works, and are not like the run-of-the-mill patterened fabrics, A good example of this is the Marina Rinaldi Spring/Summer 12 T-shirt I am modelling here....to look at it you would think it was individually hand painted. It's gorgeous.
 

 Victoria Hollis    Thursday 10 November 2011 at 20:49

 
That top is gorgeous it looks very impressionist and the colour is gorgeous on you. Umm sounds like we have a lot to look forward to next season. I have to say your heads up on Anna Scholz's AW11 was right as always the black label is to die for this season.

 

 Emma    Friday 11 November 2011 at 15:43

 
Hi Tori-

I noticed that you have been known to wear Marina Rinaldi yourself, and look lovely in it. So I think you will be really excited by what's comming in next season.

This Italian collection (as you know, the plus-size range from the Max Mara stable) really is superb. It isn't cheap, but it is beautiful, is fabulous quality, fashionable, and a wonderful fit.

 

 Victoria Hollis    Friday 11 November 2011 at 19:36

 
I love the Max Mara stable of labels. Marina Rinaldi and Persona are my absolute favorites. I have a black wool and cashmere coat from Persona which is stunning, gorgeous and as warm as toast and I have a feeling I will be needing it this winter. The fact is yes the items are expensive but the quality is VASTLY superior to anything on the high street they are made in the EU and on a cost per wear basis they work out far better than other items I have bought, worn once and then languish in my wardrobe.

 

Emma    Wednesday 21 September 2011 at 16:03

 Post #244 



 
Subject: Service, please!

I was shopping in my local area yesterday and I realised how the kind of service I could expect from any given store really affected my mood.

I admit that, for several reasons, I almost never buy clothes anywhere other than in my own shop. One is that if I don’t rely on my own products, then I can’t see any reason why anyone else should. I have set my store the task of having everything that a woman like me needs to wear. So I stock everything I can get my hands on - from casual wear such as jeans, through outdoor wear and knits, right up to the smartest kind of eveningwear that I could wish for.

Another reason why I don’t shop in the High Street is that, as far as I can tell, nothing they are selling is designed with me in mind. If I were a small woman I would be shopping in places like Reiss, Hobbs, Jaeger, etc. Obviously, as things are, nothing in these stores is going to fit me (until that mythical time when I wake up one day to find out that I have morphed into a size 14, 5’4” woman). So, if I weren’t shopping at Emma Plus, I would have to go to those few specialist high street stores that we have here in Brighton (heaven help me). Let’s just say this would not provide clothing sufficient to meet my needs.

So when I say I was shopping yesterday, it was not for clothes. I had in mind to buy myself a new bag; in common with a lot of other women this season I wanted a ‘nude’ handbag. In theory, I should find one easily (they are everywhere at the moment). My problem, however, was one I see among my customers all the time: I am very particular about the item I'm looking for. I would like it to be a true nude, not beige and certainly not baby pink. I would like it to be quite small (with a shoulder strap), and I would like it to be made of really lovely leather. Oh, and I’d like it to be vintage-looking, with silver not gold findings. Phew!

Well, I may not be able to shop in most stores for clothing, but I can zoom in anywhere on a quest for bags. So I moseyed round to my usual handbag-hunting grounds. The first port of call was the aforementioned Jaeger. However, I did not go over the threshold on this occasion. I stood outside the shop, casually walking backwards and forwards, trying to see if there were any nude bags within. There were not (luckily I could see this easily and did not have to go inside - something I was only going to do if they definitely had what I was looking for).

Why on earth did I not want to go inside? Well, there is a member of staff in the store, who, although absolutely lovely (she truly is the most wonderful person; had I needed to find a mother to adopt my first-born child, I would have looked no further). However, she is so incredibly chatty and effusive that I find it almost impossible to simply walk into the shop, smooch quietly around for a bit, and then stroll out within fifteen minutes. I would be lucky to get out within an hour. And I didn’t have a spare hour.

So, having seen nothing in Jaeger, I went to Hobbs. I like Hobbs handbags this season: they have that vintage vibe off pat. However, as I walked in the door, I was surrounded by a gaggle of assistants, all vying for my custom. When I showed interest in some (gorgeous, long) leather gloves, fisticuffs nearly broke out. This ended up with several pairs of the same gloves on the counter, and two ladies gently trying to nudge each other out from behind the till in order to make my sale. I dismissed the idea of spending any more time there; I thought I would rather come back when there were more customers in the store... I like a bit of attention, but this was ridiculous!

My next shop was a lovely one which we have locally. It’s called Comptoir Des Cotonniers... a store that has some interesting leather goods, and there did seem to be a bit of neutral colouring going on there. However, as I idled around the shop floor, I seemed to have a shadow. A sweet young sales lady was following me very closely, keeping up a running commentary on what I was absent-mindedly looking at. “Those shoes also come in grey... That belt is sold separately... The jacket has mohair in it”. As I knew she was just trying to be helpful, I really couldn’t give in to the urge to turn and ask her if she would kindly leave me to my own devices. I left the shop.

Yes, there seemed to be an awful lot of incredibly helpful sales assistants around, and it was making me feel uncomfortable. However, I am aware of the fact that I am a very contrary, unfair creature. If I don’t get enough attention, it doesn’t take long before that also makes me irritable.

For example, I walked into All Saints, the kind of edgy, youthful fashion store whose design seems to be based on a science-fiction concept of a future where civilisation has collapsed. Apparently, the remaining mutants had to scratch a living selling distressed clothes from some kind of post-apocalyptic dungeon. Anyway, I digress; they actually had a very nice-looking handbag. However, it was hanging on the wall halfway towards the ceiling (I say ceiling: it was more like the underside of a 600-year old, very dirty, interplanetary mining spacecraft). I am quite tall; however, even I would need a step-ladder (or perhaps an anti-gravity device) to get up to the bag. I looked around for the shadow when I needed it. However, this emporium was far too cool to employ sales assistants - so I left several frustrating minutes later, still having made no contact with whatever alien life I would have had to deal with to buy that bag.

So I crept into Reiss, which was almost next door. I was already feeling slightly snubbed, so perhaps by this time I was a delicate creature. As I entered the shop, I was greeted by two sales assistants behind the counter. All looked well here; yes, there were two of them (and no other customers), but they did not leave their safety zone of the counter. However, they did welcome me. Excellent start!

The problems began when I spotted a leather bracelet (sorry, but I am always off-message when I am shopping). Sadly, because the lighting in the shop was so poor, I couldn’t see whether it was silver or a gold buckle (the all-important gold/silver issue!). When I tried to make eye-contact with the two of them, suddenly I realised I was invisible. They had far more interesting things to be thinking about than a middle-aged woman who was far too large to buy anything in the store (they may have thought). Eventually, Mohammed had to go to the mountain, and I approached them with the offending object. Almost immediately I found out that the metal was gold (not good for me), but was instantly rousingly assured that this really shouldn’t matter! It was just the same as silver, really! I was even given some hints as to what to wear with gold (more gold, apparently!).

As I walked back to my own place, I started to muse about how vital it is to get the level of service right in a shop. Too friendly, and we may actually be wasting someone’s valuable time. Too keen to make a sale and we don’t really help a customer. Too intrusive, and we make people uncomfortable. Too absent, and we are useless. Too distant and we are alienating. Too ignorant and uninformed, and we cannot help. Too uninterested, and we ignore a customer’s real needs, and dismiss them.

We have to walk a careful path where we are available and capable of providing our customer’s needs, whilst giving them the time and space to enjoy their shopping experience. I reminded myself yet again that it’s vital to try to ensure that we always get the balance right.

 

 Victoria Hollis    Wednesday 21 September 2011 at 20:21

 
I read this laughing.... sometimes shopping can be almost like a comedy sketch.

The balance with service is a fine line some of us need our hands held whilst others are intrepid adventurers who will quite happily walk alone.

I cannot understand how any assistant worth their salt would say to a lady with your colouring Em to wear more gold like me with my milk bottle blue skin gold just does not work.

But what I can say without a qualm is the mix of lovely ladies you have in your shop are fantastic

Kim the trouser queen, Jac the accessories guru and you yourself the sheer genius I have never felt pushed or ignored in your shop speaking of which I'm hoping to come up mid october so cant wait I was wondering if you had the ponte jersey frill shift tunic from Anna Scholz in store ?

 

 Emma    Thursday 22 September 2011 at 15:24

Hi Tori

Thank you for your lovely comments!

Yes, I don't know what's worse... a sales assistant (specialising in fashion) who either doesn't know that certain complexions cannot wear certain colours. Or one that knows this is so, but doesn't care!

I am sorry to be the bearer of bad news... we did order the tunic quite comprehensively, but (as is usual with Anna Scholz items), it has sold very quickly. We even re-ordered them, and now the cupboard is bare.

However, there is a bright ray of hope on the horizon: this season is one of the best ever, and there are some absolutely gorgeous things here now, and still coming in!

I really look forward to seeing you soon.
 

 Victoria Hollis    Friday 23 September 2011 at 17:50

 
Darn it too slow again lol...

I'm sure it will be worth the trip up anyway.

But the thing is and im sure I have mentioned it in prior comments you and the girls genuinely care about your customers and getting it right. I feel totally disenchanted shopping on the high street when staff are in identikit uniforms with a bad attitude more interested in chatting to each other than serving customers.

 

 Emma    Saturday 24 September 2011 at 13:27

Hi Tory!

Thanks for that... I'm so sorry you are suffering from 'High Street Shopping Frustration Syndrome'. It's horrible.

I was chatting to another of my customers this week (a gorgeous lady who reads the blog, but does not, as yet, contribute herself), and she had some thoughts about tights.

She used to buy the Levee tights, but hadn't known they had gone down (was that quite recent?).

She also said that she buys a collection called Gipsy, which she has delivered, ordered from their website. It does seem that Gipsy may well be a good option (being definitely currently available; all the others being a little bit of a colder trail).

I hope this helps you; if it does, it will show that the forum is working!

By the way, I have accompanied this reply with an entirely gratuitous picture of Jaq - replendent in a gorgeous Marina Rinaldi coat...
 

 Victoria Hollis    Sunday 25 September 2011 at 16:40

 
OOOOHHHH fab coat (Tongue hanging out drooling lol)

I heard the Levee have gone over the last couple of months

Ummm thinking mid october might be too long a wait for a trip down....

 

Emma    Saturday 06 August 2011 at 12:41

 Post #229 



 
Subject: Spring/Summer 2012

So here I am writing my blog, fresh from buying some of the new collections. I was in Germany last weekend, and have visited several London showrooms since, and was able to see enough of the Spring/Summer 2012 styles to begin to form an overview of the looks of the season. I have still got a few designers to visit (for instance, I haven’t seen some of the Italian ranges like Elena Miro or Marina Rinaldi).

The last time I did my buying (about six months ago, when I bought the current Autumn/Winter 2011 collection), I was struck by the influence of the early nineteen-sixties and late nineteen-fifties looks. The fashion press uses the shorthand ‘Mad Men’ to describe this style, and I think that many people feel that this single American TV programme has been responsible for the whole sea-change in fashion that we have seen in the run-up to this autumn. I don’t go along with it myself: the TV programme, in my opinion, was just part of the tide that was running in this direction.

Personally, I love this era of fashion. The fabrics are key, with the use of texture, subtle colour and highly creative materials. There is a kind of sophisticated 'luxe' look to the clothing. I love the way it plays with volume: the contrast between tight clothing (narrow cigarette pants worn with minimal boots, for instance) and wide, draped areas (say, a large, sumptuous knit).

This is a look perfectly suited to winter wear - particularly with the clever woollen woven fabrics and wonderful knits. I was wondering how it would translate to the summer. With their emphasis on sleeveless styles and tight fitting waists, those nineteen fifties and sixties summer dresses were a bit scary for us larger women.

So it was with something of a relief that I saw the Spring/Summer 2012 collections had not gone for full-on vintage. Actually, although there was a great feel of art and mid-century modernism, the look was kept well under control. The designs, instead of being fusty and pedantic, look fresh and accessible.

The colours for the summer are gorgeous; they remind me of the celebratory, jewel-watercolours that I saw in a recent visit to Barcelona. An explosion of colour erupts, often from a black background. It’s an unsophisticated, celebratory palette: something incredibly suitable for summer looks. In the main, I love sophisticated minimalism and subtlety for winter looks, yet for summer wear I long to see exuberance, playfulness and colour. For the next two seasons, my wishes have come true.

Elena Grunert (the German range famed for quality and fit) had a gorgeous range that included a wonderful ‘nautical’ look that I was delighted to buy into. With a navy base, the designer had played with the spot motif: most of the spots were white, but the occasional one was pink. The jacket to match was particularly scrummy: navy blue, edged with a fine white stripe.

As ever I got very excited on viewing another German collection: Sallie Sahne. We are their only stockist in the UK, and have been steadily building up a group of customers who are obsessed with the fabrics, drape and cut of this unusual collection. This time I was blown away with one of their dresses in particular. It was made from their signature digital-print fluid, yet substantial jersey. The bodice was snuggly neat-fitting to the body (low-cut and sexy, of course) and yet under the bust it fell like a column to the floor with generous drape - all flatteringly sleek. It was like a kind of alchemy; I have never discovered how they achieve their effects. How does one make a garment with that much fabric, yet which has no added bulk? After examining previous designs under the microscope to see how they work, I suspect that this designer is just obsessed with ‘getting it right’.

Everywhere I looked I saw sumptuous colour, nowhere more so than in the Kirsten Krog room. This Danish range from the Godske stable has made a name for itself with its beautiful prints, which are usually produced on gorgeous silk chiffons and satins (see picture, right). We frolicked our way through the frothing silk jackets and dresses, and spent an enjoyable few hours choosing the outfits that happy wedding guests or Ascot attendees are going to be sporting next summer.

As ever, my biggest excitement was reserved for the Anna Scholz collection. She is a British-based, German-born designer who ploughs her own furrow. Often she is years ahead of her time, and when she isn’t that, she is at right-angles to the prevailing look. Her clothes have a way of making everything else look pedestrian.

Next summer, she has gone full-pelt into dresses. I was chatting with Anna about the growth of her dress line, and she told me that she enjoyed huge demand for this form of clothing. I was happy, as someone at the coal-face of plus-size fashion retailing, to tell her why I thought this was: putting it succinctly, other designers seem to have difficulty creating dresses that fit, are beautiful and are flattering. Anna has the knack of producing these with apparent ease.

I love her quirky, humorous and joyful take on nineteen seventies-style fashion. As one who lived through that decade, I know that the clothing available then (especially for larger women) was anything but joyful. However, Anna has re-written history, and I think that some younger women will look at her designs and think it was a golden era!

Next summer, her dresses seem to have achieved the impossible: they are even more wearable than before. I was particularly taken with a lovely blue and white china pattern shirt-waister dress that came in two lengths - on the knee or to the ground. I again suffered from 'the anger' (see blogs passim)... I desperately wanted to walk out of her showroom wearing that dress. I don’t want to have to wait six months for it!

The Anna Scholz collection was, as ever, refreshingly eclectic, with many different colours and styles: dresses with sleeves, or sleeveless. Dresses mid-calf, mini or full-length. Sophisticated or casual... you name it. And that was just the dresses; as ever her separates were stunning. I was happy to see that she had continued with her stretch linen - surely an inspired idea that the world has been waiting for.

Every now and again, when looking at her collection, I spy something that makes me go weak at the knees. One that comes particularly to mind is a fabulous hand-dyed silk chiffon kaftan. Absolutely gorgeous!

 

Emma    Wednesday 09 March 2011 at 22:18

 Post #200 



 
Subject: Colour

I have worked at the shop now for 21 years, and it was during my very first week that I encountered the phenomenon of a woman having - as it was referred to at the time - ‘had her colours done’.

The customer approached me in the shop to ask for help. She told me that she had recently consulted a service called ‘Colour Me Beautiful’, which had advised her about what colours she should be wearing. They had helped her study her complexion, hair and eye colour, and then provided her with a wallet stocked with samples of the shades that suited her best. She was strongly advised to only wear clothing of these hues - particularly in garments sported near her face. She was then sent out to the shops to completely restock her wardrobe, because it had turned out she had been wearing all the wrong colours. Unfortunately her current wardrobe was irredeemable.

I can remember looking at the woman in horror. I had never heard of such a thing. Surely this was some kind of a joke, or perhaps she had fallen under the influence of a cult. Nothing in the world could have convinced me to have thrown away my own much-loved and hard-won wardrobe, which I had built up by doggedly seeking out items that I felt suited me. Acquiring a really good set of clothes in my size hadn’t been easy. Yet this lady, who was also a larger woman, was contemplating a completely new start.

As luck would have it, her colouring was exactly like my own, so I was particularly curious to see what her little wallet contained. When she handed it to me it fell open and a rainbow exploded from it. I was instantly converted. Every colour that was in her purse was in my own personal must-have list of shades; I had spent years sourcing clothing in those hues. If you had offered up all the bright little sample squares to my own collection of clothing, they would have matched perfectly. I had always known that these were the pigments I needed to wear, although I had no idea why. What this woman had was a recipe for all the colours she needed!

After this chastening experience (it’s never nice to find, when starting a new job, that there are important areas about which you are woefully ignorant), I decided to try to make my own study of colours that compliment us, and colours that insult us, and why.

The first thing to know when talking about our differing complexions is that human beings are very comparative creatures. When discussing what we are like, we exaggerate because we are only really talking about the difference between one person and another. Thus, for example, we talk about ‘black’ or ‘white’ skin, when clearly no-one was ever born with a skin colour of either of those hues. The differences between us, although in themselves subtle, look overwhelming to our super-attuned eyes.

When I was at art college, I spent some time studying colour theory, and I believe that many of the rules that apply to art and design are the same as those that apply to human skin.

Creative people for hundreds of years have subconsciously known that different colours interact with each other, affecting how they are perceived. However, it was only really in the twentieth century that artists started deliberately to attempt to study and manipulate these effects.

As women, we have also been using the way one colour, juxtaposed against another (i.e. coloured clothing worn against our own complexion), can cause certain desirable effects, and, for thousands of years, we have strived to create the most flattering results.

There are many different rules, but the most powerful engine of the way colours relate to one another is how opposites interact. In a nutshell, when two colours from opposing sides of the colour wheel are placed side by side, the densities are exaggerated. So, for example, when blue is placed next to orange, both colours look greatly enhanced.

We may not be aware of this, but exactly the same thing is happening when we place a coloured garment up against our own skin. If I, with a bluish hue to my skin tone (comparatively speaking), were to wear orange, I would start to look very deathly indeed - because all the blue lights in my complexion would be emphasised. I know that the ‘vampire look’ seems to be all the rage in cinemas at the moment, but nevertheless I doubt if most people would see this as a good look for me.

Similarly, if a woman is particularly keen to show off a superb tan, she would be well advised to wear a lovely turquoise blue. This colour would showcase, but not over-emphasise, her somewhat orange skin tone.

Of course, the converse is also true. When placed side-by-side, a strong colour will minimise the perceived density of a lighter colour. So if, say, a royal blue is placed next to a very pale blue, the lighter colour may lose its hue, and actually look white.

Working, again, on the principle that these effects function in the same way when applied to human skin, if I were to wear blue then this would instantly mitigate the cool tone of my skin and warm my colouring up. I would look younger, brighter and healthier. This may explain why I wear blue rather a lot.

There are many of these rules, and the way they interact - not only to our skin tone, but also to our hair and eye colour - is very complex. One could easily write a doctorial thesis about this subject. However, let’s be honest, it would be rather eccentric to try to use colour studies to find out what colours suit you, even if you had the time and academic prowess to do so.

Surely, we all know the best way to find out what colours best compliment our own particular skin, eye, and hair colour? We are all familiar with the time-honoured, though humble, tool used for this purpose. It’s called the changing room. When it comes to finding out whether a garment or accessory suits you or not, there really is nothing quite as effective as simply trying something on, and taking a good look at it.


 

Emma    Saturday 19 February 2011 at 13:53

 Post #196 



 
Subject: Fall 2011

Here I am again, writing about next season’s collections... plus ça change, plus c'est la même chose!

We go to see the sparkly-new fashions and developments, and in order to do that we go to the same old airports, stay at the same hotels, visit the same fashion houses and shows, and meet all the same people! We could be forgiven for getting jaded and feeling that nothing has changed in half a year.

However, that’s the wonderful thing about fashion: although it seems that we are settled into our usual routine - having ‘just another day at the clothes rail’ - in fact the experience is radically different every time! Which, of course, is the whole point of the exercise.

It goes without saying that the huge difference every season is the look of the gorgeous new clothes. I suppose it is in my nature to get excited about new collections. If I didn’t, perhaps I would not be suited to this industry. Actually, I think that many of us who work in fashion tend to get a little over-excited when we see pretty things.

The look for Autumn/Winter 2011 is certainly a gorgeous one. In a continuation of the theme for this summer, the emphasis is on fabric and quality of construction and tailoring. There is a luxe look, with the use of different textures and handles. There is a lot of draping, but the shape of the body is never overwhelmed. A soft, fluid jacket will envelop the figure in generous folds, but would be worn over a pencil skirt, or narrow trousers. A wide, relaxed pair of trousers will softly fall from a snug, tailored felt blazer. The overall effect is of lushness and elegance. Ironically, infinite care is taken to look effortless.

A big part of the look is a nineteen-fifties aesthetic, but we larger women shouldn’t be too worried about this. Of course, we know that many of the looks from that decade are all about exhibiting a show-stopping figure, and for those of us whose physiques may draw less than admiring glances, this can be very intimidating. However, there is so much to this new take on the look that mitigates the need for a perfect hourglass silhouette. The best designers (Anna Scholz, of course, Marina Rinaldi, Elena Miro, and - rather a surprise here - German brand, Verpass) are able to create the most beautiful draped clothing which gives a larger woman somewhere to disguise her less alluring features whilst showcasing her best assets.

The colours are varied. Yes, there are the dreaded animal prints (creatively and subtly used, they have proved they can be tamed), which showcase nude, taupe, grey, tan and brown. And there are also all the nineteen-fifties-inspired colours you would expect: coral, turquoise, deep green, lipstick pink, purple and cobalt. There is a mass of gorgeous vintage monochrome looks. Because of the lovely, varied prints to be had next season, though, the range of colours is actually rather wide. There is something there for everyone.

What were my favourite collections? Well, I really felt that Verpass had come into its own. Who knew that they had a nineteen-fifties inspired designer working for them, just waiting to get their big chance? Their knits were an inspiration, and, after two very cold winters, will be received by a grateful nation. However, the prize goes to the Black Label by Anna Scholz, as the best collection for Fall 2011. This is her reasonably priced selection, and year-on-year it has been getting stronger. These new looks need a masterly hand in tailoring: cutting a tulip-shaped skirt in a dress for a plus-size woman takes know-how! And what a treat it is to see Anna and her team turning their hands to using these skills so comprehensively in her more accessible collection.

As usual, I saw one of her coats that I could not resist, and I am modelling it here in the picture. It is a deep lipstick-pink soft wool coat - with a high waist and softly pleated, almost tulip-shaped silhouette.

 

 Anna Scholz    Saturday 19 February 2011 at 15:10

 
Thank you Emma for letting me win :)
See you very soon

Anna

 

 Emma    Sunday 20 February 2011 at 18:26

 
Hi Anna!

Thank you so much for reading our blog!

Can I just take this opportunity to point out to blog/forum readers that this forum makes it possible for the consumers of our clothes to have a direct contact with some of the movers and shakers in the plus-size fashion world!

So if you have something to say (perhaps mentioning something you love, or putting in a request for something you really, really want), now is the time to make your remarks on the forum.

You never know who may be listening!

 

 Kirsten James    Wednesday 23 February 2011 at 18:32

 
Thanks Emma! I love reading your reports on what is coming up. I am really loving Anna's spring/summer 11 line so I know the fall will be equally stunning. And that is a great color on you!

 

 Emma    Saturday 26 February 2011 at 16:23

 
Thanks, Kirsten!

This lovely pinky colour is so flattering, and the wool fabric is so soft...

Ordinarily, I would say that I'm waiting for winter in order to get my hands on this lovely coat, but after all the cold weather we had this year, I'm happy to wait for it.

I'm more looking forward to spring!

 

Emma    Saturday 07 August 2010 at 21:02

 Post #150 



 
Subject: Summer 2011...

Having returned from my usual buying trip to Germany last weekend, and after a week’s holiday (a staycation in the best place to holiday I can think of... Brighton!), I am just turning over in my mind what I have learned about the Spring/Summer 2011 season.

The colours, the fabrics, the silhouettes, the detailing... does it all add up to a change in the aesthetic? Are we going to see a continuing of the trends enjoyed this summer, or are we going to veer off in a whole new direction? Have there been improvements, or are we in familiar territory? Most importantly, are we going to like what is coming through?

I always start with colour, which is the key to understanding any given season. When I was at Art College I shared a house with students from the Fashion and Textiles course. One of them was studying in the hope of getting a job in colour prediction. This is a very specialized field in fashion, which involves predicting the colours that are going to be adopted anything up to five years ahead.

The really fascinating thing about colour prediction is how it feeds into all aspects of fashion. For instance, if the colours that are coming through are bold and bright - like hot pink, set against orange and gold - the chances are that the aesthetic of the designers is going to be from cultures where these colours are prevalent. So there may be influences from South America and India, for example. The designers may gravitate towards the shapes, fabrics and intricate, ornate embellishments characteristic of those cultures.

By taking a quick peek at the colour palette of any given season, you can get clues to just about everything that's going on... So when I went into the fashion houses in Düsseldorf my first thought was of the new colours.

There has certainly been a sea-change in the colour palette for Spring/Summer 2011. The shades are cool and serene, sophisticated and neutral. We are seeing a lot of influence from the natural world... pebbly colours, with silver, taupe, steel, nude and aubergine. The prints are also echoing the natural world - with textures from the landscape and animal prints.

Usually when we see any kind of neutral palette, alarm bells begin to ring. Continental women look a million dollars in beige, but you really need that sun-kissed European hair and skin to look good in it - not to mention the warm Continental sun. And when British women see animal prints they tend to see ‘pub landlady’.

However, I have no such worries about the palette. The colours were softer, cooler and more sophisticated, and easier on the typical British complexion in the typical watery British sunlight. The animal prints are understated, and their subtlety would leave Bet Lynch perplexed!

The end result is a kind of luxe look. It’s expensive-looking... it’s grown up, sumptuous fashion. The key to this style (as ever, when the inspiration is the natural world) is texture. There are sandwashed silks and chambrays, metallised fabrics, and there was also a little bit of leather (unusual for a summer collection). This is going to be very popular, and these items are going to stand the test of time and will be worn for years to come.

The look is based on minimalism, luxury and sophistication. There is less embellishment: the fabrics are left to speak for themselves. In the main the ideas are from Western culture. There is almost an Art Deco philosophy.

The silhouettes are soft, and we are still talking about the ‘long top/short dress’, worn with narrow pants look. There are gorgeous long shirts (for heaven’s sake, if you buy nothing else during the Autumn/Winter 2010 and Spring/Summer 2011 seasons, please, please invest in a long shirt and a long jumper... If you miss the boat on these items, you will regret it, and have to wait years before they are available in stores again).

Luckily for the colour-junkies, there were still some brighter colours to be had, though. An honorable mention goes to Godske that had some lovely little silk chiffon dresses with drape detail in gorgeous blues and purples.

So what sticks out in my mind the most at this stage? Well, I have already written about the Anna Scholz collection (as ever, a triumph)... I was also blown away by Sallie Sahne - yet again. This German range (of which we are Britain’s only stockist, by the way) really caught the mood with a gorgeous collection mainlining on textures, fabric handles and finishes. We bought a beautiful metallised cami and jacket in pewter, which would take you anywhere, and just couldn’t resist the faux leather jacket (as soft as baby lambskin) and trousers in a steely taupe. We also shrieked with delight when we saw this wonderful little blazer with knot-detail at the shoulder (see picture above). Genius.

 

Emma    Monday 03 May 2010 at 22:49

 Post #133 



 
Subject: We've come a long way, baby!

Seems funny to think back on it now, but for some years I lived in a country where most of the women I sold clothes to tended to abide by quite a strict rule of modesty.

By this, I mean that it was not thought seemly for my customers to show anything much of their bodies, and very often they were put under powerful social pressure (and sometimes internal pressure!) to be extremely demure in their dress. Mainly dressed in black or other dark shades, they wore all-enveloping garments, which showed-off their shape to the minimum, and almost none of their flesh.

So the garments that we had to stock in that store were, in the main, dark coloured and rather shapeless. The main purpose of most of the clothing seemed to be to disguise the shape, rather than to express or flatter it. Skirts were as long as possible, almost floor-length, and wide... a long pleated skirt was a sought-after style because it expressed almost nothing of a woman’s shape and, even then, they were often worn with a slip underneath. Blouses were never low-necked (heaven forbid there be any cleavage on show), and sleeves were always either full- or three-quarter length. Jackets were baggy, shapeless and long. Many, many women considered it to be completely inappropriate to wear trousers at all.

The customers who did feel free to wear more revealing clothing were sometimes frowned upon, and some of them told me that they had to endure some kind of moral censure from friends and family when they ventured out in their (relatively tame, by our standards) less repressive looks in public.

I did try very hard to buy beautiful, sexy, relevant, fashion-forward looks for the store I was working in at the time, but it was an uphill struggle to come by the kind of clothing I was seeking. I wasn’t looking for anything too outré... I was just wanting to stock something relevant; not the new Lady Gaga wardrobe!

Time after time agents and designers told me I was on a hiding to nothing: no-one would want to wear anything that pushed the envelope. Even if the customer had enough self-confidence to be able to ‘flaunt’ herself, the social pressure would be too great, and she would be too uncomfortable to enjoy her more liberated look.

Wow, you may be thinking... where is this country, and what was it that caused this restrictive style of dress? We often find that different religions can expect such modesty from women. Fundamental Christians, strict Muslims and Jewish women often choose this sort of fashion language... did I live in a country populated by one or several of these groups?

Of course, the answer is that the shop I worked for was in Brighton, United Kingdom. It was actually in the exact location of the store I now inhabit. The date was 1990... only 20 years ago. My customers were large women then, as they are today. And at that time, whilst the slim girls were wearing miniscule tight skirts - showing their midrifts or in super-short sweater dresses with towering high heels - the larger women were expected to cover up.

The truth is, when I first started in plus-size fashion in this country, larger women were expected to be invisible. Or I should say, the shape and flesh of their bodies were not considered to be decorous enough to be on show. Most of the styles we sold at the time were demure to the point of being yashmaks. Quite seriously, most of the looks could have been worn by community nuns.

Nowadays, we have got used to the fact that the shape of larger women can be beautiful, and that their flesh can be as lovely as any human flesh. And (perhaps more importantly, for most of us women) even when we are not beautiful, we are lovely, and it is our birthright to be as visible as anyone else.

Don’t get me wrong: I don’t feel the need to show myself off, warts and all. Actually, in my opinion, a lot of the skill of a fashion stylist is to hide or disguise those parts of one’s physique that are not (shall we say) in prime condition. I, for instance (in common with many women over 40, whether they be large or small), would rather stick pins in my eyes than show off my upper arms.

However, there are certain assets that I am more than happy to display, and I have found a way of showing my figure to its best advantage. There really is no need for any woman to try to 'anonymise' herself by draping her physique in what amounts to a dust-sheet!

Consumer pressure has brought many of the designers on line, and new, sexy collections have erupted on to our scene. Now that there are more larger, younger women, social pressure has been turned on its head, and women are not only allowed, but positively expected to make the best of their looks.

Larger women are seen as sexy, sassy beings, and there is no need to hide themselves away unless they choose to do so. We have come such a long way, in such a relatively short space of time.

 

Emma    Tuesday 06 April 2010 at 01:10

 Post #128 



 
Subject: Turning back the clock

Not all expensive clothes last longer than cheap ones. Expensive designer clothes are often made of tender, gorgeous fabrics. They can have fine, delicate surface finishes... or construction details that speak more to aesthetics than utility.

For example, an invisible hem can be a fragile way of finishing the bottom of a garment. The ultra-fine thread is carefully drawn across the hem, catching tiny pieces of fabric at regular intervals. It’s possible that this hem will last a lifetime. However, if you are unlucky, you can break the thread and the hem will need to be replaced. The designer has not chosen this method for its durability. If that had been the intention then a good, robust double-seam would have been used. This hem has been carefully selected as the perfect way of making a garment look 'effortless' and 'pure'.

Expensive fabrics can also have a shorter life than cheap ones. Let’s face it, if you would like a garment to last a lifetime you would construct it from thick polyester. Something, say, like crimpeline (a heavyweight knitted polyester) would be perfect. I once watched a Marks and Spencer staff uniform, made from such a fabric (the sleeve of which had got caught in the door of a giant industrial washing-machine), spinning backwards and forwards at enormous speed for an hour or so. It came out of the wash in perfect condition. This would not have been the case if the garment had been made out of the finest cotton lawn.

Yet, despite this, designer clothes do tend to last considerably longer than high-street clothes. This is because they are much better made, and the fabrics have been developed to perform as well as possible, within the confines of their natural limitations. Designer clothes are also 'fashion forward', which means than even after several years, they will not look dated.

Many of the clothes that I sell will be worn many dozens of times while they remain ‘smart’, but there is more to them that this. They may go on to have several lives.

The first life is that of the treasured, beautiful, trendy garment. This is the ‘go-to’ item when you want to look good, and you need your clothes to make a statement about yourself. It is your top look.

Then, after several years, the garment becomes an everyday staple. You would wear it to the office on a normal day.

Inevitably, the item then becomes the ‘old friend’: something worn around the house. It is so comfortable that you are happy to do the gardening in it.

Eventually, the garment is sent off to the charity shop, where another larger woman swoops on it and takes it home as a treasured find, and it starts a whole new existence. It's perhaps not surprising to learn that the ecological pressure group, Friends of the Earth, has done research that has found better-quality fashion items to be kinder to the environment over time.

I was rummaging through one of my cupboards the other day and pulled out an old treasure that had fallen on hard times. It was a Persona knitted jacket, from about six or seven years ago.

It had had rather a hard life. I'd loved it when it was new, and wore it often in the shop. Persona is an Italian range whose quality is legendary. It is a cashmere mix - as light as swan-down, and warm and soft as puppies’ ears. The colour is incredibly fashion-forward, a kind of pinky-purple. Even the embroidery on the back (in a petrol blue and lime green) was prescient of the embellishments that have come into vogue over the years since its creation. It came with a matching silk shirt (long since given to one of my friends) and shawl.

It has never looked unfashionable in all the time I have had it, yet it suffered from something for which it was in no way to blame: I put on weight, and no longer felt that I could carry it off at work. But it was so beautiful I couldn’t rid myself of it, and it was so comfortable I felt it calling me as a snuggly (perhaps a little too snug!) everyday warmer to wear around the house.

So that is exactly how it has lived its life for the past four or five years. I have done the housework in it. I have walked the dog in it. I have (it seems from the available evidence) cooked and eaten spaghetti bolognaise in it!

When I took it out of my cupboard the other day it presented a rather sorry sight. There were dog hairs... there were stains... and bobbles. It looked as if the charity shop was calling for it.

However, it is such a beautiful garment and so on-trend at the moment, that I just couldn’t bring myself to let it go, particularly as - now that I had lost the weight - it fitted me again. I decided to try to turn back time.

It was too late to gently wash it by hand with a wool detergent: that horse had bolted. So I washed it in my washing-machine, with plenty of Vanish on the marks. When it had dried I carefully removed the dog-hairs using Sellotape. Then I used my trusty de-piller, bought from John Lewis, to remove the bobbles. I carefully pressed it, and then looked at my handiwork.

It had returned to what I would call ‘excellent vintage’ condition. When I put it on I was so glad that I had my lovely old friend back again. I will really enjoy wearing it to work once more with pride, and I will be happy to watch it start its life all over again.

This jacket was an expensive garment: Persona is one of our highest-end collections. I doubt if it was any less than £150 when I bought it. However, if you were to tot-up how many times I have (and will) wear this garment, it works out at just a few pence per wear. And each time I was spending that few pence, I was enjoying a beautiful, fashion-forward, comfortable work of art.

I would rather be wearing that than a garment that was cheaper to invest in at the outset, yet which would have a much shorter, less comfortable, less aesthetically pleasing, and ultimately less economically sound life.

 

Emma    Tuesday 02 March 2010 at 00:00

 Post #118 



 
Subject: The New Look

Tomorrow we complete the very last of our buying for Autumn/Winter 2010. It's always exciting to be buying for a new season, because there is something unexpected to be had every time.

Fashion is an extremely competitive business, and the designers know that they are only as good as their last collection - so every item counts. In the really good ranges, the designers will not just reflect the latest fashion; they will innovate and push the look forward.

Every now and again a season shows a sea change: a time when the silhouette changes, and Autumn/Winter 2010 is one of those times. In the past few years we have been seeing tops growing longer, more interesting in shape, or with a different shape of shoulder, and - arguably - all the alterations to the silhouette has sprung from these developments.

There are three basic new silhouettes to be seen. The first and major one is that of the dress and legging. We've been seeing dresses getting shorter for some time now, just as tops have been getting longer. These looks has now met in the middle, and the short dress has emerged that will need to be worn over trousers or leggings. I know it sounds alarming for many women to hear that they are being invited to wear leggings! There are many worries in this area, which can be encapsulated by the phrase 'Does my bum look big in this?'

The fact is, though, that these new short dresses are extremely flattering. They usually have plenty of drape, flowing from a high waist. They end just above or on the knee, so there is little worry about visible cellulite. There is now a comprehensive selection of good quality coloured leggings to complete the look. When the 'dress/top' is a sweater (and there are plenty of these!), one may want to wear it with leggings and boots, which are now widely available in the required calf widths and interesting colours.

I tried on some lovely shorter dresses at Anna Scholz - including a magenta tulip-skirted jersey one that was to die for. I was also extremely taken with an incredibly retro long top/dress from Dominique, complete with a pearlised peacock printed down one side. It shouldn't work, but it really does!

The second new silhouette is that of the cocoon. Tops, dresses and jackets have been showing a tendency towards interesting and innovative shapes for some time now. Next winter, this will emerge as a succession of variations on a cocoon shape, where the garment is allowed to flow out with extra volume, only to be draped and pulled in at some point towards the lower part of the body.

Years ago when these cocoons, puff balls, draw-string bottoms, welted tops, etc., were last in fashion, they were often a disaster for larger women. Badly executed, they can add unnecessary bulk. Now, however, they have come of age and flatter the body, whilst adding an arty, directional edge. Exelle showed a particularly gorgeous puff-ball coat in pale grey, which Jaq is planning to spend her wages on this autumn...

The other silhouette is one which has also been developing for some time. It's what I call the 'Parisienne' look. This is the trend for incredibly neat, cinched-in tailoring - often with the emphasis on the shoulder - which can be much sharper with added detail. Anna Scholz, of course, was all over this look. She produced some lovely dresses and jackets with that incredibly sexy, sophisticated style.

Elena Miro and Personal Choice also went in for some lovely jackets reflecting this aesthetic. One in particular from Elena Miro was the classic Channel-style jacket that every woman should have in her wardrobe. It was in loose-weave black tweed with silver sparkles, and the edges of it were trimmed with frayed fabric. It was as perfect and delicious as a little very dark Parisian chocolate.

On a practical note, after the incredibly cold winter we have just endured in the UK, we are seeing some gorgeous coats coming through. Everything from soft wool coats, to raincoats, to the softest and most cuddly fun-fur coats, to fitted puffer coats are going to be on sale this autumn.

My favourites were spread far and wide: in the fashion business, one develops an eclectic taste. I loved the little dresses, the cinched-in jackets, the coloured leggings. I'm sorry to say my wardrobe is going to be bulging even more at the end of this autumn!

And after the winter we've had last year, one of the very first things I am going to invest in is a really lovely, warm coat. I have my eye on one from NP - surely one of the best examples of a puffer jacket. And it is in the 'must-have' colour: violet.

 

Emma    Sunday 21 February 2010 at 23:57

 Post #115 



 
Subject: Knit wits

As Jaq and I set out on our most recent buying trip, we did what we always do: started to talk about what it was that we were particularly looking to buy for next season.

As followers of the blog will know, by ‘next season’ I am not referring to Spring/Summer 10. Believe it or not, already that’s ‘this season’ (although the actual British ‘spring/summer' does seem like a distant dream, the clothes are very much here)!

So we are buying for Autumn/Winter 10 - and as ever it’s an exciting prospect. One of the things that governs what items of clothing we seek to choose for a season is what we lacked in that season last time around.

In the car driving us to the airport (we were, as usual, flying out to Germany to do some of our buying) we were discussing what we had been short of this winter. We looked at each other and both simultaneously said the same thing: ‘knits’!

This year was such a cold year, and, cruelly, just when we needed it most, there was a dearth of knitwear. There seemed to be hardly a woman in the land who hadn’t opened her wardrobe at some point during all the ice and snow and realised that she just didn’t have enough knits! We certainly saw quite a few women desperate for some lovely warm jumpers, and counted ourselves among their number.

However, when I’m talking about knits, I’m not just referring to jumpers and tops. For our winter collection, we usually seek to sell the whole panoply of knits - through knitted coats, skirts, shawls, jackets... anything you can think of, so long as it is scrummy.

Yes, a good knit is simply scrummy! The best knits will have a generosity to them. They will be soft; they will have stretch; they will flow and drape. The colour will flatter, yet be versatile. A really good knit is a garment that you will want to wear in a hundred different ways, teamed with all manner of other items you already have in your wardrobe.

In the past we have not always found good knits; indeed some years we have found nearly no knits. When the fashion is for short, cropped knitwear, or for close-fitting garments, we tend to steer clear. These are styles that are difficult for the larger woman to look sleek and effortless in. In the past we also had a lot of trouble with fabric. Frankly, if it’s clingy, stiff, itchy or prone to stretching, I’d rather not bother with it. You need to have your wits about you when you are seeking knitwear.

There is a lot that a knitwear collection has to get right. We have to be aware, for instance, that some women work in a hot environment. Believe it or not, knits can be found that are both cool and light! Many women need the garment to have excellent performance. If you are sitting for long periods, for instance, it would not be acceptable for a skirt to ‘seat’. Well, there is no excuse for this in the designer end of the market. A good skirt should keep its shape in perpetuity.

People don’t want to spend half their lives dashing backwards and forwards to the dry-cleaners. So thank goodness nearly all the good quality knits these days wash like a dream.

Some of our customers cannot wear wool. In the old days, when fashion was hide-bound by some very old-fashioned ideas, wool was the only fabric to be had in the winter collections. That is now a thing of the past. We make particular efforts to source 100% cotton knits for the winter, as well as the summer ranges. In fact there are so many beautiful fabrics available, from cashmere, silk, cotton, viscose mixes, and Marino wool... I could go on. Nowadays, the opportunities are there for the best designers to create something both stunning and truly practical.

So it was with high hopes, yet some trepidation, that we first started to look at the collections. We shouldn’t have worried, though. It appears that the designs are all about knits for next winter!

We have done our customers proud. We bought the most beautiful knitwear that we have ever found in one season. The shapes tended to be quite fluid: there was a tendency for many tops to be very long, almost dress-like. Luckily, we were able to source the right trousers to wear with these.

We found some gorgeous suits incorporating long knitted skirts, with chic and minimal styling. We found textured, swing, knitted coats. And smooth, minky cashmere for those with a feel for luxury.

The colours for the autumn are easy on the eye. Neutrals tend to be blacks, greys (of every hue), stony taupes and browns. Accent colours are magenta, purple, petrol and, of course, glowing deep cobalt blue.

My advice to women who really appreciate knitwear is to stock up next winter: beautiful choice like this does not come around every year. It may be a long time before you see knits like this again.

 

Emma    Friday 25 September 2009 at 15:24

 Post #79 



 
Subject: Purple Prose

As promised, I am uploading pictures of new stock as it comes in. The latest arrivals are these purple tops from Dutch brand Exelle...

 

Emma    Thursday 24 September 2009 at 17:13

 Post #78 



 
Subject: Autumn Blues

I can't resist putting an image of some of the gorgeous new jackets on to our blog. They have just been delivered, and there is something about the lovely cobalt blues that is just scrummy!

 

Emma    Wednesday 09 September 2009 at 22:48

 Post #75 



 
Subject: Joy

The poet John Keats wrote ‘A thing of beauty is a joy forever’, and when it comes to fashion (at the very least) I agree with him. Fashion is an art and an industry devoted to the pursuit of beauty, and is in the business of joy-creation.

We are coming to the end of the buying season now (I have just one more range to buy to complete the Spring/Summer 2010 collection), and I have been taking an overview of what’s in store for us next year.

There are so many highlights worthy of mention, that it’s hard to know where to begin.

We have ordered chiffons and jerseys in soft, flowing styles, in jewel colours, ranging from teal, to cobalt blue and purple. We have gone for sassy, sexy little fitted jackets from Italy and Ireland. We have selected crisp, cleverly-shaped linen suits, and Sergeant Pepper-inspired waistcoats, adorned with cut-steel embelishment.

Hilariously, we have even invested in some jumpsuits, which some inspired person has managed to make work for the larger woman (I’m going to have one of those!).

But I suppose, yet again, the range that most stood out for me was the Anna Scholz collection.

Anna Scholz is the foremost designer for the large-size market. Her clothes exude confidence and uncompromising sensuality. They are unapologetic; they assume the wearer is an attractive, vibrant woman with attitude and taste.

If Anna had produced a collection up to her usual standard, I, for one, would have been thrilled. Judging by previous collections, one could assume that Anna would always bring forth something that will be just gorgeous.

So it was almost with disbelief that I looked at her collection for next summer. There were so many items that were breathtaking that it was difficult to take them all in. It seems almost illogical that someone should decide to just go berserk like this! I think, if I were Anna, I would worry that I was using up all my most brilliant ideas, all at one time. There is not space in this piece to list all the clothes that deserve mention, but I will dip in at random and describe some...

There was a black and white floor-length stretch silk gown, with an Art Deco inspired print, plus a plunge neck and sleeves - that is a dress that every large woman ought to have in her wardrobe. The versatile fabric is also used in one of Anna’s trademark kaftan tops.

There was a mink-coloured trouser suit, whose styling gives a nod to a man’s dinner suit. The same jacket is produced in a cobalt blue, and can also be worn over a matching wrap dress.

There is a gorgeous chiffon creation, with a pink and grey swirl pattern on a black background. This has been made into a couture-style dress with an interior structure that could only have been dreamed-up by a genius.

There was a dress with a Grecian draped neckline, made from sweet and feminine hydrangea print stretch silk, giving the impression of a nineteen-thirties tea dress - yet with a brighter, more sharp and edgy feel.

In fact the feel of the collection for me was of nineteen-thirties meets the seventies, with 21st century hindsight.

In the same poem, Keats wrote 'Some shape of beauty moves away the pall from our dark spirits'.

Speaking just for myself, had there been any pall from dark spirits hanging over me at the time, it would have rocketed away after I had caught sight of these beautiful creations. That’s one of the wonderful things about being a woman: the presence of really gorgeous clothes can work wonders...

 

 Sharon Cross    Thursday 17 September 2009 at 15:52

 
Hello - I've just found your blog and I have to say its great.

One plea though - please don't print these pictures of Anna Scholz's dresses when I can't buy them yet: its like having your nose pressed against a particularly good sweetie shop and not being allowed in :-)

I've worn Anna's clothes since her 1st collection and still adore them...now, have to find a time to come down to the shop as hoping it must be as good as the blog.

 

 Emma    Friday 18 September 2009 at 15:38

 
Hi Sharon

Thank you for your post and for your kind words.

Yes, it's very cruel to show images of clothes that you cannot get until next summer. But now you know how I feel!

I have mentioned before on this blog how sometimes I come away from buying a collection (particularly an Anna Scholz collection) in anger, because I feel bad about having to wait for six months before I can get the clothes...

 

 Anna Scholz    Friday 18 September 2009 at 17:46

 
Dear Emma -
I just had a good read through your ever so well-written Forum and blog :)
I always enjoy our appointments and love nothing more than to tease with new exciting designs for the forthcoming seasons. I am sure you will be glad to hear that even I have to wait until spring to get my hands on the new goodies.
I am happy that things are going so well for you and our collection is flying !
All the best and lets do that lunch very soon.
Anna x

 

 Emma    Saturday 19 September 2009 at 12:36

Hi Anna

Thank you so much for taking the time to post on our blog!

I think it is a good thing that you are able to see the comments left by customers who enjoy wearing your clothes.

Of all the ranges that we have ever stocked, the Anna Scholz collection stands out – it must be very satisfying to be involved in this highly successful creative process.

Here in our shop it certainly feels good that we are able to provide these clothes to the women who really love them, so we are very grateful to you and your team!
 

Emma    Tuesday 04 August 2009 at 13:57

 Post #68 



 
Subject: The colours that call us

 
My colleague Jaq and I have just returned from our twice-yearly trip to Düsseldorf in Germany, where we have been buying next summer’s collection of clothes for the shop.

The show is at a huge exhibition centre called CPD, and due to the downturn in the fashion industry it is much smaller than it was just a few years ago. However, for people like us, it is no less exciting. This is because those ranges that have a fashion-forward, exciting offer are still there. In my opinion it is the failing ranges that have disappeared altogether - actually saving us time when we are navigating the show.

The beautiful, creative collections are calling to us - we can hear them all the way back in England - so it is with a mounting feeling of excitement that we embark on our journey to Germany.

A lot of people ask me whether it feels strange buying for next summer - it seems so far ahead. But the truth is I am usually so excited to see the designs that all other thoughts go out of my head. If they were showing us the collections on the side of an erupting volcano, so long as there were some lovely things to be had, I doubt that I would notice anything untoward. I certainly wouldn’t be quibbling about how far away next summer was... just let me see those clothes!

It’s only when I walk away from a stand, after I have bought what I have wanted, that I start to get the familiar feeling of frustration, because six months does seem an awfully long time to wait for the delivery of those gorgeous things.

What did I see that I really liked? Well, the first thing about next summer is the abundance of the most beautiful colour, and I think my first blog about this buying season will deal with this. That is because, in my opinion, colour is the number one thing my customers are interested in... and for good reason. The most gorgeously styled clothes in the world could be flooding the shops, but if they are the wrong colour you will not buy them. You simply cannot wear colours that don’t suit you.

When looking at next summer it’s quite difficult to talk about what colour, though. There really were so many shades, in such superb combinations, that it’s hard to know where to start.

Fashion is continuing its love affair with what I call ‘berry’ colours. That is to say the part of the spectrum that includes deep pinks, magenta, lilacs, purples, mauves, cranberries and aubergines. There are also plenty of lighter, vibrant pinks and a smattering of true reds and terracotta. The blues that are coming in are slightly to the mauve end of the spectrum... electric blue, cobalt blue, deep hyacinth and midnight. And there are greens going through limes, apples and then emeralds. There are neutrals too: silver greys - all the way through to deep charcoals and anthracite. There also seems to be a preponderance of black and white. Phew!!

Very often the fashion industry seems to delight in giving us a narrow band of colours that can only hope to satisfy a small section of the female population, leaving the rest of us wondering what on earth we are going to wear. Quite frankly, this season, we are being showered with choice, and there will be no problem whatsoever for anyone.

I think that colour must have an effect directly on the brain. I wouldn’t be at all surprised if some researcher discovers that as soon as vibrant colours are absorbed through the eyes, pleasure hormones are released into the cerebral cortex. If this is true, these would be the colours to do just that.

I can’t wait to see these gorgeous things arriving in my store. I can’t wait to see my customers falling on them in delight. But most of all (I’m embarrassed to admit) I can’t wait to start wearing some of them myself...

 
 

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